UK alt-rock sister duo Child Mentioned explode onto the scene with BS, a ferocious and unapologetic debut filled with roaring guitars, biting lyrics, and pure emotional hearth. Having delivered a daring, no-holds-barred soundtrack to talking up and standing tall, Veronica and Jess Pal take us track-by-track by their high-voltage album, unpacking every tune’s energy and objective with intimate insights and cheeky wit.
Stream: “Hate Me” – Child Mentioned
Yes it’s named ‘BS,’ however this album is something BUT.
The music is loud. It’s uncooked. It’s turbulent. It’s ROCK. Child Mentioned’s debut album doesn’t ease you in or ask permission – it kicks down the door with a scream and a guitar riff, then dares you to not really feel one thing. BS is an eruption: Of energy, of ache, of defiance and demand.
Throughout seven fiery tracks, the Portsmouth-based sister duo confront self-doubt, disgrace, poisonous relationships, and inside darkness head-on, wielding overdriven guitars and unfiltered vocals as each weapon and lifeline. It’s a document constructed for anybody who’s ever felt silenced or stepped on – a rallying cry for reclaiming your voice, your house, and your value.
Each time you’re
speaking right down to me
Trigger you want a lift
to your self worth
You may’t management your jealousy
Nicely you’re ego was
by no means mine to feed
You need it, you want it
However I’ll at all times be undefeated
You’ll love me
Oh I’ll make you hate me
So that you could’t shake me
I’m gonna get you all in your head
Make you remorse so get f*ed
– “Hate Me,” Child Mentioned
Launched March 7th through their very own label Pal Data, BS marks a significant milestone for Child Mentioned – the debut full-length from a band that’s spent the previous few years incomes their stripes gig by gig, chord by chord. Hailing from Portsmouth, UK, Italian/Punjabi sisters Veronica (20) and Jess (18) Pal have been making music collectively for many of their lives, busking on the streets, forming a covers band, and taking part in over 250 reveals throughout the UK earlier than ever dropping a single authentic observe. That grind paid off: With BS, they ship a document as lived-in as it’s ferocious – a pure extension of the uncooked, high-octane sound they honed onstage. Co-produced by Patch Boshell and Steven Battelle (who additionally co-wrote three tracks), the album blends grit and precision, pairing unfiltered emotion with the tight, dynamic musicianship of a band who already know precisely who they’re and what they stand for.
As relentless as it’s, BS doesn’t simply blow off steam – it channels it.
The album is exhilarating in its vitality, however what provides it endurance is its objective. Each scream, each riff, each razor-sharp lyric is rooted in one thing deeper: A want to reclaim house, to talk out, and to spark one thing within the folks listening. “Our album is about us discovering the facility in our voice and talking up,” Child Mentioned inform Atwood Journal. “We would like the lairy guitars and messages to empower others and encourage them to additionally communicate up about their very own experiences and maybe create connections with new individuals who might relate.”
That message was clear from the very starting: Child Mentioned went into the studio with a imaginative and prescient for BS – “lairy” guitars, unapologetic vocals, and lyrics that hit arduous and raise others up. Working with Boshell and Battelle, they constructed a sound that helps the tales they’re telling: Loud, lean, and unflinching. “BS” is likely to be a cheeky nod to the band’s initials – and an inside joke they discovered “very humorous” – however beneath the playful title is a full-bodied introduction to all the things Child Mentioned stands for. “It encapsulates our emotions we’ve had on our musical journey up to now,” they clarify, “and represents who we’re, our life experiences, and what we stand for.”
Lairy. Highly effective. Energetic. That’s how Child Mentioned sum up their debut, they usually’re not improper. BS explodes with the sort of high-octane vitality and uncooked, no-f*’s-given perspective that remembers the bratty brilliance of Avril Lavigne, the wit and chew of Moist Leg, the theatrical aptitude of The Final Dinner Occasion, and the alt-pop punch of The Aces. It’s a sound that doesn’t ask for house – it takes it – mixing traditional rock instincts with fashionable edge and unapologetic emotion. Whether or not they’re snarling or hovering, Child Mentioned be sure you know precisely how they really feel, they usually make rattling certain you are feeling it too.
From the stinging sass of “Candy Discuss” to the throat-ripping ferocity of “Hate Me,” BS is bursting with anthems that don’t maintain again.
“Candy Discuss” opens the album with a sneer and a shrug, focusing on late-night liars and half-hearted flirts who discuss large and ship nothing. “We’re simply making an attempt to have some enjoyable,” they sing, realizing full properly how shortly that phantasm breaks. The observe balances its sharpest traces with a playful twist: “Began on Monday and it ended on Friday / ‘Trigger we obtained bored on the fourth and the fifth was a delicate goodbye.” It’s charming, savage, and effortlessly cool – the sort of opener that struts as a lot because it stings.
On the brash bruiser “Imply Girlz,” Child Mentioned commerce candy for spiky, taking purpose at conformity and cruelty with a burst of bratty, pop-punk brilliance. “This tune is about not being ashamed of our variations,” they clarify. “The ‘Imply Girlz’ are boring anyway – thank God we’re no copycats.” That rallying cry pulses by each hook, from the biting sarcasm of “That’s so fetch” to the unshakable defiance of “Thank God I’m not you.” It’s pure hearth for anybody who’s ever felt pushed to the sidelines – a banger that dares you to face out louder.
“123” is likely to be essentially the most deceptively catchy observe on the album – a vivid, bouncy, tightly-wound takedown of poisonous management and possessiveness. “It’s about realizing this particular person just isn’t good,” they are saying, “regardless of others pondering that they’re – and having the energy to say no.” Over pounding drums and a singalong-ready refrain, they problem warning after warning: “Now I’m providing you with the depend of three / Transfer away, it’s your final warning.” The lyrics punch by with readability and confidence: “You’re not particular, simply delusional / Residing life prefer it’s fictional.” “123” is charming, charged, and deeply empowering – pop-punk with a spine.
Then there’s “Hate Me” – a scorched-earth anthem that dials all the things as much as eleven. Jess Pal explains, “It’s about dealing with the negativity and rejection we’ve skilled and channelling that frustration into one thing highly effective. We’re telling the world we’re not going anyplace, it doesn’t matter what anybody thinks.” From the very first verse – “Each time you’re speaking right down to me / ‘Trigger you want a lift to your shallowness” – the observe seethes with fury and self-possession. The refrain is constructed to burn: “You’ll love me? Oh I’ll make you hate me / So you may’t shake me.” It’s loud, savage, and unforgettable – the sound of somebody strolling by hearth and popping out stronger.
“Useless to Me” delivers one more intestine punch – an impulsive, no-apologies anthem for drawing the road and never trying again. It’s about that ultimate snap, when somebody crosses into your small business one too many instances and will get reduce free with out ceremony. The guitars rip, the vocals seethe, and the emotion by no means wavers. It’s catharsis in its purest kind – the sound of selecting your self, even when it’s messy.
For Child Mentioned, just a few moments on BS rise above the remaining. The riff in “Useless to Me” is a selected favourite – a jolt of adrenaline that kicks the observe into overdrive – nevertheless it’s the aching, pressing ending of “Take All the pieces” that they return to most. “The determined guitars on the finish are so filled with emotion,” they share. That tune, a slow-burning reflection on giving an excessive amount of and getting nothing again, incorporates considered one of their favourite lyrics on your complete album: “Whenever you’re wanting, I’ll give my all.” It’s a line that sums up each the heartbreak and coronary heart behind all the things they make – a reminder that this band provides nothing lower than all the things.
BS is a uncommon debut: Totally fashioned, fiercely felt, and sonically fearless.
There’s not a single throwaway second right here – no filler, no fluff. Each observe comes armed with one thing to say, and Child Mentioned be sure you hear it loud and clear. It’s the sort of document that shakes you out of your stupor and reminds you why rock issues – why quantity, vulnerability, and voice nonetheless imply one thing. As they put it finest: “All of us have a voice, so don’t be afraid to make use of it!”
Expertise the total document through our under stream, and peek inside Child Mentioned’s BS with Atwood Journal as Veronica and Jess Pal take us track-by-track by the music and lyrics of their debut album! No filler, no fluff — simply straight-up BS, the best way it’s meant to be.
— —
:: stream/buy BS right here ::
:: join with Child Mentioned right here ::
— —
Stream: ‘BS’ – Child Mentioned
— —
Candy Discuss
“Candy Discuss” is about ready on somebody who just isn’t definitely worth the wait, what makes you numerous very nice guarantees, however you realize they’d by no means comply with by. You realise you have been simply entertaining an concept and don’t must waste your time.
Imply Girlz
“Imply Girlz” is in regards to the folks normally who disgrace others for being totally different. This tune is about not being ashamed of our variations and celebrating it because the ‘Imply Girlz’ are boring anyway so thank god we’re no copycats.
123
“123” is a couple of possessive particular person with the mindset of ‘if i can’t have you ever, nobody else can’’ and so as to preserve it that approach, they attempt to management and intervene in any alternative you must discuss to anybody else. It’s about realising this particular person just isn’t good, regardless of others pondering that they’re and having the energy to say no.
Burn
“Burn” is in regards to the battle of psychological well being points. It’s for everybody who looks like they’re alone and who looks like they aren’t sufficient. It’s a tune of hope to indicate you there may be mild on the finish of the tunnel. It’s based mostly off what others, like my household, have informed me however I by no means believed so I wished others who’re struggling to listen to it in case nobody has informed them.
Hate Me
“Hate Me” is about individuals who deal with you badly, for instance, making your achievements really feel inferior and making an attempt to embarrass you in entrance of different folks to make them really feel higher about themselves as a result of in actuality they’re consumed by the truth that others might discover you extra attention-grabbing and thrilling than them. Due to this fact, by placing you down it makes them really feel superior. This tune reveals that regardless of their efforts, I do know myself and there may be nothing they will do or say to vary that, apart from, doing properly is the most effective sort of revenge. In the event that they wish to hate, I’ll give them one thing to hate.
Useless to Me
“Useless to Me” is about when somebody steps over the road and really feel they’ve the precise to share their opinion on your small business. It’s also in regards to the impulsivity of wanting to chop folks out of your life as quickly as they cross the road, with out a second thought.
Take All the pieces
“Take All the pieces” is in regards to the feeling of passing by life carrying a gray lens. It’s about feeling such as you’re giving your all while others are simply taking and regardless of all of your effort, no matter you do isn’t adequate. “Take All the pieces” reveals the exhaustion of making an attempt for others despite the fact that they’re abandoning you.
— —
:: stream/buy BS right here ::
:: join with Child Mentioned right here ::
— —
— — — —
Hook up with Child Mentioned on
Fb, 𝕏, TikTok, Instagram
Uncover new music on Atwood Journal
© Lawrence Hughes
an album by Child Mentioned
