Each Friday, Atwood Journal’s employees share what they’ve been listening to that week – a music, an album, an artist – no matter’s been having an impression on them, within the second.
This week’s weekly roundup options music by Mt. Pleasure, Adrianne Lenker, Caleb Kunle, Nature TV, Mistine, Fright Years, Dancer, Alejandro Aranda, Madame Gandhi, Chris Pierce, SINK, Zweng, Ali J. Hassan, Izzy Mahoubi, Runnner, dacelynn, Tomás del Actual, Julie Arsenault, Dean Batten, Mikel Rafael, Hannah Stokes, Mimi’s Revenge, AViVA, The Straights, Szou, Jaylon, Azanti, Òrain, Reigns, Giampaolo Pasquile, Peso the Misfit, & Dailla!
•• •• •• ••
observe WEEKLY ROUNDUP on Spotify 
•• ••
:: Hope We Have Enjoyable– Mt. Pleasure ::
Mitch Mosk, Beacon, New York
Mt. Pleasure’s fourth album is a tempest – a giant, lovely mess of sound and feeling colliding in spectacular vogue. Launched immediately through Futures x Bloom Area Data, Hope We Have Enjoyable is fierce, intense, emotionally charged, exhilarating and thrilling and cathartic and catchy and comforting : It aches in each course. Fragile but ferocious, the album captures Mt. Pleasure almost a decade into their profession, on the peak of their powers and unafraid to put all of it naked. These 13 songs are without delay a fruits and a reckoning – a mirrored image of the band’s journey from self-releasing songs on SoundCloud to promoting out Madison Sq. Backyard, delivered with the intimacy of a whisper and the power of a roar.
There’s one thing deeply human about Hope We Have Enjoyable. Possibly it’s the uncooked vulnerability of “God Loves Weirdos,” a soft-spoken stunner that finds magnificence within the quiet, fleeting connections between gasoline stations and inexperienced rooms. Possibly it’s the churning, charming electrical energy of “Within the Center,” Mt. Pleasure’s standout collaboration with rising star gigi perez. Possibly it’s the fever dream of “Scared I’m Gonna F** You Up” – simply 70 seconds lengthy, however explosive sufficient to depart a long-lasting mark. Even tracks like “Extra Extra Extra,” which I wrote about earlier this yr, really feel newly alive in context – haunted and heartbroken, but trying to find launch. This file pulses with life.
Because the band themselves put it, these songs converse to every part from “road-worn intimacy to post-tour melancholy, religious longing, and the sacred act of constructing music with folks you like.” And that’s precisely the way it feels. That is Mt. Pleasure not simply making music, however making that means – collectively. The highs are dizzying, the lows devastating, and in between all of it is the enjoyment, the doubt, the mess of being alive.
It’s known as Hope We Have Enjoyable, however make no mistake: Mt. Pleasure didn’t simply make a enjoyable file – they made a full, fearless one. And it’s one I’ll be spinning for a very long time.
:: “wake me as much as drive (exterior)” – Adrianne Lenker ::
Emma Schoors, Los Angeles
I’ve all the time considered Large Thief’s “Wake Me As much as Drive” because the extra straightforwardly sensual counterpart to “Vegas.” There’s a tenderness to “Vegas” that transcends the bodily: “Turned up the quantity and also you began to weep / And I assumed you a lamb,” Adrianne Lenker sings, and without delay, a music about driving by the desert turns into one about seeing by to the one you like’s internal baby. “Wake Me Up To Drive” is simply as impulsive and yields simply as a lot sentimentality, however the impulse is moreso a yawning, half-hazy dedication to dwelling totally: “Even when I’m drained / I don’t wanna miss the journey.”
Lenker’s newly-released dwell album Reside at Revolution Corridor ends with “Wake Me Up To Drive,” and the efficiency begins with some impromptu speak in regards to the full moon. “Exit on a whim / Hopefully we’ll discover it once more / Bored with turning again / Let’s carry on transferring down the monitor,” Lenker sings, however this rendition is sung in the next key than within the unique, lending it a nostalgic frailty. “We take the gamble on as an alternative / In the event that they flip us down / Discover a heat mattress within the subsequent city” sounds easy, however it’s that simplicity that makes it so plainly intimate – we’ll determine it out as we go being the reigning message in each this monitor and “Vegas.”
Hand upon my pores and skin
Heat me up, and calm me down
I like to observe your chin
Chasing the acquainted sound
Of a well-known music
Put one on, let’s sing alongside
To the well-known music
Wake me as much as drive, wake me as much as drive
Even when I’m drained, I don’t wanna miss a journey
There’s an otherworldly magnificence threaded in Lenker’s lyricism, all the time urgent gently on themes of nature, neighborhood, and love and loss in all its varieties. “forwards beckon rebound,” the fourth monitor from 2020’s songs, was my most performed music of 2024 for these causes and extra – “Letting my eyes shut / Shedding my mushy garments,” she sings, surrendering to every part that comes with letting her guard down as soon as and for all.
:: “Therapeutic” – Caleb Kunle ::
Rachel Leong, France
Releasing his newest single again in February, “Therapeutic” seems like an apt introduction to Caleb Kunle for individuals who don’t but know him.
The monitor begins on a mushy jazzy, bluesy piano riff, introducing Kunle’s voice atop. Because the monitor progresses, extra instrumental layers are added; Kunle’s vocals peak in its readability as he riffs over a choral backdrop, driving his energy forth with a way of togetherness and neighborhood.
Possibly it’s the choir component that fosters that togetherness, the sluggish layering of reverberating instrumentals, or the monitor’s hook, “Music offers me therapeutic” – however the music shines in that rarity of not simply telling you however displaying you the neighborhood one feels inside music.
Kunle attributes his roots in three totally different cities – London, Lagos, and Laois, drawing musical inspiration from every one. His music explores duality, being, and tradition, permitting senses of self to shine by his artwork.
:: Unfortunate for Some – Nature TV ::
Danielle Holian, Galway, Eire
Nature TV’s new album Unfortunate for Some is a vivid and emotionally wealthy addition to the band’s rising discography, delivering a totally realised sonic id that feels each breezy and intricately crafted. Throughout the album, the band leans right into a fusion of neo-soul textures and coastal indie heat, wrapping their melodic instincts in shimmering manufacturing and subtly advanced preparations. It’s the type of album that appears tailored for golden-hour reflections, acquainted but contemporary, its comforting tones pushed by tactile guitars and an unwavering rhythm part that grooves with out ever overwhelming.
With manufacturing dealt with by long-time collaborator Solo Main, the file takes its time exploring dynamic shifts in temper and instrumentation, utilizing texture and tone as emotional instruments. From the opening bars to the ultimate fadeout, there’s a palpable chemistry among the many band members, their interaction polished but pure. The vocals stay a magnetic centerpiece, by no means showy, however deeply felt, guiding the listener by a group that thrives on nuance. Unfortunate for Some isn’t just a robust evolution of Nature TV’s signature sound; it’s a assured, cohesive work that rewards repeated listens with its delicate layers and heartfelt appeal.
:: “altering with the climate” – Mistine ::
Chloe Robinson, California
Mistine’s single “Altering with the Climate” is the emotional compass of the album “i assume that is the place we’re at.” This piece anchors the undertaking in each private and planetary chaos. There’s one thing deeply human about the way in which the Earth shifts, suffers, heals. Local weather change, rising tides, burning forests really feel like emotional occasions. Based mostly on Mistine’s experiences with relationships in her 20s, this monitor lays the inspiration for the storytelling throughout the album. There are environmental metaphors woven all through, drawing parallels between human feelings and the way in which we deal with our local weather and planet. The grungy, synth-infused music is a extremely catchy hear. Throughout the vocals we will hear her intense ardour pushing by. The video is simply as infectious as she dances within the kitchen with associates.
Born in a log cabin and raised in New Jersey, Mistine is an rising Pop/Rock artist who fuses the soulful pulse of traditional rock with the uncooked emotion of contemporary pop. Her sound is a seamless mixture of retro and up to date, echoing the influences of legends like Aerosmith and Taylor Swift, with shades of Avril Lavigne and The 1975 laced all through. Christine Mistine dedicates herself not solely to music but additionally to selling sustainability and environmental accountability. With a Grasp’s diploma in Science targeted on Sustainable Enterprise Management, she has labored because the Sustainability On-Website Coordinator for the Grateful Useless residency on the Las Vegas Sphere and contributed to Billie Eilish’s Hit Me Laborious and Smooth Tour.
:: Nonetheless Life – Fright Years ::
Mitch Mosk, Beacon, New York
[dropcap letter=”E”]dinburgh’s Fright Years have all the time excelled at weaving emotional weight into incandescent sound, and their sophomore EP is not any exception. Aftersun is a dramatic five-track reckoning and reverie – a radiant, uncooked, and resounding showcase of a band that continues to hit tougher and shine brighter with each launch. I’ve lined Fright Years numerous occasions over time, and nonetheless, they by no means stop to shock me. This EP is one thing particular: A coming-of-age in actual time, full of fireside, feeling, and fearlessness.
Opener “Stars” kicks issues off with that acquainted Fright Years magic – shimmering guitars and hovering vocals tinged with heartache – however it’s the feverish rush of “Do What You Wanna” that sends true chills down the backbone. Propulsive and unrelenting, it’s a thunderous emotional purge dressed as a late-night anthem. After which there’s the title monitor: “Aftersun” is an immediate favourite, aching unapologetically whereas glowing with conviction. “So like aftersun, I’m burning for the second time,” Jules Kelly sings, capturing that second whenever you commit to alter – when selecting to attempt turns into its personal act of braveness. It’s intimate, weak, and shimmering – a summation of what makes Fright Years so undeniably particular.
This EP marks a turning level for the Edinburgh-based band. Working with producer Theo Verney, they’ve pushed their sound into new territory whereas staying rooted within the emotionally charged, cinematic storytelling that defines their artistry. The entire file seems like that pivotal hour mark in a movie – when issues are messy and sophisticated, however every part begins to shift. You may really feel that shift in each observe.
Aftersun is Fright Years at their best: Daring, burning, and brimming with coronary heart. One among Atwood’s artists to observe without end after, and for excellent cause.
:: all my greatest associates – Dancer ::
Mitch Mosk, Beacon, New York
Catchy, cathartic, charming, churning, and charged – Dancer’s debut EP all my greatest associates hits like lightning in a bottle. The Australian trio are shortly proving themselves to be the following wave of indie rock, and these 4 songs – “coronary heart assault now,” “not nothing,” “silver linings,” and “wrap round me” – don’t simply get caught in your head; they embed themselves in your soul. There’s one thing seismic about this band’s capacity to mix stadium-sized sound with deep emotional undercurrents, and nowhere is that extra evident than on the EP’s gripping lead single.
“wrap round me” holds your consideration like a vice grip. It’s intimate and intense, leaning into vulnerability with out ever feeling fragile. “I’m curling over, hugging my knees / I’m breaking type, I’m begging aid,” Chris sings, his voice teetering between give up and resilience. Beneath the music’s large hooks and explosive power lies a uncooked confrontation with ego, ache, and the need to really feel okay. “It’s about hiding ache with materials issues… dreaming of what life would seem like if I used to be really profitable,” Chris explains. “We had numerous enjoyable taking a look at our egos and actually leaning into that ‘fuck you’ power.” That rigidity – between cheeky swagger and emotional honesty – is precisely what makes this monitor soar.
Dancer first caught our consideration with “not nothing,” and this EP solely deepens their spell. Created within the wake of label breakups, burnout, and private progress, all my greatest associates is a doc of survival and transformation – a testomony to friendship, ardour, and the therapeutic energy of music. From the addictive highs of “coronary heart assault now” to the aching desires of “silver linings,” this file is all coronary heart.
Don’t let the title idiot you – all my greatest associates could also be Dancer’s debut, however it performs just like the work of seasoned professionals. The radio’s prepared. The stadiums are ready. We’ll be listening.
:: “Summer time Bummer” – Alejandro Aranda ::
Rachel Leong, France
Alejandro Aranda returns with newest single, “Summer time Bummer,” a fusion of other pop, EDM, indie, acoustic types, and inquisitive lyricism. “Summer time Bummer” is a letter to the digital wonderland we dwell in, and the way we chase an authenticity that more and more appears to be much more distant.
Lyrics like “Cookie cutter I’m dwelling the candy life / I simply want I had the heart to dwell like all of them” nod on to the confines of our society, whereas bigger than life manufacturing mirrors expansive digital soundscapes inside the weak ideas of Aranda himself.
Mirroring these ideas, Aranda leverages the thought of digital existence and authenticity, making a soundscape that interpolates between actuality and creativeness. These wider themes are explored all through his latest file, ‘Farewell Celebrity’, a dynamic experimentation of id, present affairs, and actuality.
:: “Take Your Time!” – Madame Gandhi ::
Rachel Leong, France
Madame Ghandi takes ‘artist with a trigger’ to an entire new stage each time. Her newest single, “Take Your Time!” is an uplifting ode to self and authenticity. Alongside her full-length album, Let Me Be Water, Madame Ghandi’s discography usually champions inclusivity, self-discovery and empowerment, together with her newest being no totally different.
With a deal with gender-expansive creatives and the surroundings, Madame Ghandi welcomed the creatives of non-profit We Make Noise, crediting them as co-composers on the file. “Take Your Time!” is a nod to self-discovery, urging listeners to embark on the identical journey of self-recognition and empowerment.
Paired with digital components and natural percussives, Madame Ghandi seamlessly mixes the previous and new – exemplifying by her artistry which you can be one factor and lots of issues on the identical time.
:: Coronary heart of Gold: The Songs of Neil Younger, Vol.1 – Varied Artists ::
Joe Beer, Surrey, UK
Heart of Gold: The Songs of Neil Younger is a star-studded tribute to the person behind among the most iconic songs in music historical past. The compilation options 14 tracks, lined by artists equivalent to Fiona Apple, Brandi Carlile, The Doobie Brothers, Eddie Vedder, and Mumford & Sons, who all convey their very own interpretations to his timeless catalog. The undertaking is the brainchild of Cinema Music Group, a Los Angeles-based manufacturing home helmed by longtime collaborators Dave Resnik and Niko Bolas. With a long time of expertise spanning collaborations with artists like Sting and Lucinda Williams, the 2 got down to convey issues again to fundamentals in immediately’s ultra-polished music world: recording every part dwell, with few takes and loads of coronary heart.
Chris Pierce’s model of “Southern Man” is nothing wanting breathtaking. His vocals are deep, velvety, drenched in soul and effortlessly command consideration. Delicate, emotional harmonies float out and in, bringing a softness that contrasts the gravity of the music. It’s a sluggish burn in one of the best ways, proving simply how highly effective restraint could be.
Past being a transferring tribute to one among music’s most beloved songwriters, the album can be giving again, with proceeds supporting The Bridge Faculty – a nonprofit devoted to serving to youngsters with extreme speech and bodily impairments by modern assistive expertise and schooling. Be sure you try the album in its entirety – it’s arduous to choose a favourite with such an unbelievable line up!
:: “Shallow” – SINK ::
Danielle Holian, Galway, Eire
SINK’s newest single “Shallow” is a spellbinding and emotionally resonant glimpse into the artist’s forthcoming debut album “Flaw State.” With a masterful interaction of glitching synths, uneven beats, and natural imperfections, the music weaves a compelling sonic narrative that displays the strain between fashionable chaos and the human want for stillness. SINK’s melancholic falsetto drifts hauntingly by an expansive, ever-shifting panorama of digital textures, showcasing a uncommon capacity to merge experimental manufacturing with deeply private storytelling. Lovely, daring, and brimming with emotional depth, “Shallow” is each a standout monitor and a promising signal of what’s to return from one among London’s most enjoyable new voices in different electronica.
:: Toronto Tapes – Zweng ::
Danielle Holian, Galway, Eire
Zweng’s Toronto Tapes is a strikingly sincere portrait of a musician reclaiming his voice after years of private turbulence. Recorded throughout a yr of sobriety and self-reflection, the album unfolds like a confessional – equal components uncooked diary entry and refined sonic assertion. With producer Will Schollar on the helm and Kensington Sound Studios as its backdrop, the file blends stripped-down indie rock with glints of pop, traditional rock, and alt-folk to create a sound that feels each classic and pressing.
The album’s emotional weight is balanced by fearless reinterpretations of acquainted songs. Covers like “Pet Sematary” and “Uptown Lady” are reworked into deeply private meditations on dependancy and id, whereas originals equivalent to “Marianne” and “Jeanette” dig into generational grief and religious therapeutic. Zweng’s vocals crack the place they should, his instrumentation by no means showy however all the time intentional – every monitor serving as a waypoint in a bigger journey of self-reclamation.
Toronto Tapes doesn’t goal to dazzle, however goals to attach. And in doing so, it provides one thing more and more uncommon in new music: unfiltered sincerity. For listeners craving depth, vulnerability, and storytelling that doesn’t flinch, Zweng’s newest isn’t just an album – it’s a companion for the lengthy highway again to your self.
:: “Into the Winds” – Ali J. Hassan ::
Chloe Robinson, California
Life can ship many challenges your means. It’s the way you let these challenges outline you that actually exhibits what you might be made from. Ali J. Hassan’s emotive piece “Into the Winds” is about going through hardships and recognizing the dear classes and sudden alternatives that include them. His gravelly vocals over a wealthy and radiant rock backdrop create a chunk that actually shines. The music is an optimistic observe, encouraging listeners to belief that the universe has a plan.
Ali J. Hassan’s musical journey has been as dynamic and diverse because the artists he’s labored with. As a bassist and rhythm guitarist, he has carried out with bands equivalent to Anarchaos, Wildstreet, and Awaken the Shadow, and has appeared at main festivals together with the Vans Warped Tour, Rockstar Power Drink Uproar Pageant, and extra. Hassan has additionally collaborated with famend producers like Eddie Kramer, Neil Dorfsman, Ted Hutt, Shep Goodman, and Aaron Accetta, contributing to initiatives for artists equivalent to Alicia Keys, Sebastian Bach, John Legend, and others. This new energetic, inspiring single showcases simply how far he has really come.
:: “Wished” – Izzy Mahoubi ::
Chloe Robinson, California
Izzy Mahoubi’s infectious indie people single “Wished” tells the story of an immature participant who received’t commit. As a lot as you recognize you aren’t wished, you can not assist however need them. The compelling piece is the last word back-porch-strumming, summer-singing anthem made for the women. Relatable strains like, “I do know you’ve given me a great, good cause to run. However there’s one thing about not being wished by somebody,” depict a well-known feeling of needing one thing though it could be unhealthy for you. Created and recorded in Nashville, Tennessee, this Lumineers-inspired music consists of group vocals from her greatest associates, turning it right into a music for associates to sing collectively – and even playfully at one another.
Hailing from Phoenix, Arizona, Mahoubi is a Folks/Americana artist who blends the timeless affect of The Beatles with the introspective fringe of Fiona Apple. Her music weaves soulful people with hints of traditional rock, making a sound that’s each acquainted and contemporary. Mahoubi lyrics are uncooked and conversational, like confiding in a detailed pal. Her unfiltered vulnerability, laced with a contact of wit, beams by each time you hear her music. “Wished” is one other prime instance of that.
:: “Chamomile” – Runnner ::
Mitch Mosk, Beacon, New York
Runnner’s “Chamomile” hits like a breath of contemporary air – punchy, passionate, and unapologetically alive. The newest in a string of 2025 singles, it’s additionally a putting evolution for Los Angeles’ Noah Weinman, who’s traded the lo-fi heat of his earlier materials for a crisper, widescreen indie rock sound. The result’s as intense and invigorating as it’s enchanting: A full-bodied, emotionally uncooked anthem that wears its coronary heart on its sleeve whereas barreling ahead with unchecked momentum.
“I wrote this music again in 2017,” Weinman shares. “It’s form of about relying on small, insignificant issues to make large, essential modifications in my life, and the way foolish that’s… I’ve made dozens of variations of the music earlier than this one. I’m very relieved to lastly be placing it out.” That backstory provides a layer of rigidity to a monitor that already feels prefer it’s been preventing to interrupt free – and now, it lastly has. “Chamomile” soars on vibrant guitars, punchy drums, and a way of decided urgency, as Weinman sings of fumbling by failure and discovering unusual consolation within the little issues. “I’m on my heels / leaning into chamomile,” he declares, exhausted and exhaling, attempting to regular himself within the storm.
There’s one thing fantastically sincere in regards to the chaos of this music – the way it trembles and swells, the way it by no means fairly lands however all the time retains transferring. Like the very best of early 2000s indie rock, “Chamomile” is each intimate and in-your-face: A spirited launch bursting with stressed power and poetic messiness. It’s exhilarating.
With this newest batch of singles, Runnner is writing a brand new chapter in actual time. If “Chamomile” is any indication, it’s one which calls for to be heard – and felt – at full quantity.
:: “russian doll” – dacelynn ::
Mitch Mosk, Beacon, New York
Wright here does she even take a breath? From the second dacelynn opens her mouth on “russian doll,” she pours herself out in a gentle, unstoppable stream of ideas and emotions – uncooked, unfiltered, and breathtakingly actual. Launched Could 16 through Nettwerk, the 21-year-old singer/songwriter’s newest single is a slow-burning stunner: An alt-acoustic emo ballad that begins mushy and regular, then rises right into a tidal wave of emotion. It’s heat, it’s tender, it’s achingly weak – indie people at its best. Delicate, comforting, cathartic, and the form of music that immediately takes your breath away with its quiet power.
Acupuncture needle new connections
Watch the water boil over
Sputter out and break the strain
I can shell one other 30
To deflect all my reflections
I can hole out my chest
To make extra room for model new classes
Costume a wound with sheepish garments
My curls are fake and filled with questions
However my tooth are gnashing woe is me
Is woe my new assortment?
I can’t bridge the hole between
The me’s in previous future and current
I don’t wish to discover the rationale
I reject my adolescence
I can push it down and
Make a giant factor small
A small factor smaller
Written as a poem mid-flight from New York to LA and first shared on TikTok, “russian doll” took on a lifetime of its personal properly earlier than its official launch. Now, after months of viral buzz and fan demand, the total model is right here – and it hits simply as arduous as you’d hope. With lyrics that wrestle with id, fragmentation, and the uneasy coexistence of previous, current, and future selves, dacelynn captures the emotional weight of attempting to make peace with your self whereas nonetheless determining who that even is. “I can push it down and make a giant factor small,” she sings repeatedly – a mantra of suppression that, by the refrain, shatters fully: “However when it offers, it offers / it bends and buckles / and it waves white flags with whiter knuckles.”
However when it offers, it offers
It bends and buckles
And it waves white flags
With whiter knuckles
And it will get you unhealthy, oh
And it will get you unhealthy, oh
“The inspiration for ‘russian doll’ got here from not figuring out the components inside myself that make me complete,” she shares. “The uncertainty round why, or what occurred, to depart me feeling so fragmented led me to retrace my steps and reacquaint myself with the earliest model of me: Dacey. I wish to know and embrace the model of myself from earlier than I felt watered down and study from her.”
That rigidity between disintegration and rediscovery is what makes “russian doll” so compelling. dacelynn’s efficiency is fragile however fierce, breathless however managed – a sluggish unraveling that turns confession into catharsis. It aches. It rages. And by the top, it leaves you speechless.
Dacey’s swimming up
To see the floor
She will be able to breach or I can cave
Fall again to idly submissive
I’m afraid to talk of ache
Afraid to wind up in a circuit
Give me one thing I can’t take
To check the boundaries of my function
I can push it down and
Make a giant factor small
That is reminiscent my perplexion
Stems from flowers pressed in books
Amongst my partitions the place mud collects
I’m not a sucker by and thru
All bark no chunk, and all forgiving
‘Til it’s one thing I can’t place
The in between and the reliving
I can push it down and
Make a giant factor small
However when it offers, it offers
It bends and buckles
And it waves white flags
With whiter knuckles
And it will get you unhealthy, oh
And it will get you unhealthy, oh
:: “Throughout the Universe” – Tomás del Actual & Julie Arsenault ::
Sophie Severs, Boston, MA
Ever since I first heard The Beatles’ “Throughout The Universe,” its phrases have been a mantra to dwell by. Nothing’s gonna change my world, nothing’s gonna change my world. No doubt, the monitor is among the most iconic to ever exist – as evinced by the intensive roster of artists who’ve lined the music, together with David Bowie, Fiona Apple, Rufus Wainwright, and so forth.
The most recent artists to cowl the beloved monitor are Tomás del Actual and Julie Arsenault. The 2 put their very own spin on the tune, incorporating components of Latin American people music by altering the syncopation and likewise including a delicate twist to the second refrain. Their voices easily intertwine over mild – but resonant – guitar strums, carving out a sonic area of rest and tranquility. You may hear the sheer reverence del Actual and Arsenault maintain for the phrases they sing, and for the voices who’ve sung those self same phrases earlier than them.
Taking one of the vital iconic tracks ever written and placing your personal spin on it’s a daunting feat, however del Actual and Arsenault achieve this with grace. Their rendition of “Throughout The Universe” is elegant, mystical and altogether mesmerizing; a real deal with for anybody feeling a bit of misplaced on the crushed path of life. Nothing’s gonna change my world, nothing’s gonna change my world.
:: “Sam Stone” – Dean Batten ::
Rachel Leong, France
In our world of synthesised textures and mass-produced sonics, a stripped-back recording is typically simply what you want. One among my favorite current discoveries is Dean Batten – a people singer-songwriter with old-time harmonic sensibilities and a implausible harmonica break in each music.
“Sam Stone” struck me instantly for its uncooked recorded efficiency, the place rhythmic acoustic guitar blends with nostalgic songwriting. Batten’s vocals present a vulnerability to the monitor that’s uncommon to seek out, whereas delivering a literary storytelling narrative.
With traditional nation sensibilities, Batten’s artistry aligns completely with that nostalgia we’re all pining for. With a self-proclaimed curiosity in “music, bikes, and mysticism,” Batten’s set to convey a contemporary tackle a timeless style of artistry.
:: The Everlasting Hour – Mikel Rafael ::
Danielle Holian, Galway, Eire
Mikel Rafael’s The Everlasting Hour unfolds like a half-remembered dream – mild, spectral, and deeply felt. Throughout three songs, he captures the quiet ache of wandering souls and the hush between ideas, threading his voice by delicate acoustic textures with the grace of a poet in confession. Every monitor strikes like gentle by fog, formed by literary shadows and historic echoes. “Maples and Pines” drifts in like morning mist; “The Stream” flows with a relaxed desperation, trying to find one thing simply out of attain; and “Rise Into The Light Night time” cradles the listener in twilight sorrow and unusual hope. It’s a journey by one surreal day, however it stretches into the timeless.
There may be bravery in how Rafael resists the noise; his music breathes, waits, lingers. He doesn’t chase crescendo or clamor; as an alternative, he leans into the stillness, letting silence converse as loudly as sound. The Blakean inspiration within the title feels apt, that is music that holds eternity inside a second. For these drawn to introspective people, mythic undertones, and melodies that really feel unearthed greater than written, The Everlasting Hour provides a uncommon form of solace. It’s not only a debut, it’s an invocation.
:: “Glory” – Hannah Stokes ::
Rachel Leong, France
With jazzy sensibilities and soul-infused rhythmics, “Glory” is among the newer singles to return from up and comer, Hannah Stokes. Stokes’ current discography is marked by spherical, refined vocals that permit Stokes’ distinctive tone to guide entrance and middle. Akin to fashionable jazz-soul icons Lianne La Havas and Emily King, Stokes’ music possesses that plain high quality of transporting you to her creative world. “Glory” shines in its buoyant vocal efficiency and blues-y guitar melodies. Paired with Stokes’ narrative songwriting, “Glory” is a melancholic ode to misplaced love and self-hood. The peeled-back intimacy main the monitor permits a quiet exuberance to shine by – and that encapsulates Hannah Stokes’ music in a nutshell.
:: “Dire” – Mimi’s Revenge ::
Danielle Holian, Galway, Eire
Atlanta’s Mimi’s Revenge crash into the alt-pop dialog with “Dire,” a putting debut that feels extra like a cinematic confession than a traditional single. From its brooding, slow-burn intro to its shimmering, layered climax, the monitor pulses with uncooked emotional urgency, a fastidiously managed chaos wrapped in slick, shadowy manufacturing. There’s a theatricality to every part they do, and “Dire” is not any exception: it’s a soundscape drenched in feeling, the place each lyric hits like a intestine punch and each synth swell seems like a warning siren from a fantastically damaged future.
However what really elevates “Dire” is the duo’s dedication to world-building. Mimi’s Revenge do every part in-house, from haunting visuals to handmade costumes, and that obsessive consideration to element pays off in spades. The music is the entry level right into a wider mythos of ache, transformation, and inventive rebel, they usually put on their influences (Prince, Outkast, blink-182) not as a fancy dress, however as gas for one thing wholly their very own. If ‘Dire’ is the opening transfer, Mimi’s Revenge are taking part in an extended, daring recreation, and we’re already hooked.
:: “Heaven & Hell” – AViVA ::
Joe Beer, Surrey, UK
“Heaven & Hell” is the brand new single from Los Angeles based mostly alt-pop artist AViVA, taken from her upcoming album Eyes Extensive Shut. The fiery monitor is an unapologetic anthem that pulses with distorted guitars, crashing percussion, and vocals that slice by the noise. The lyrics hit simply as arduous because the sound, providing a defiant critique of an business that calls for artists to commerce their autonomy for entry. “The satan, literal or not, sits ready for the following artist to fall into the entice,” she says, chatting with her refusal to signal away her masters or sacrifice her imaginative and prescient as an artist.
“Heaven & Hell” is a rallying cry for anybody who’s ever felt on the sting of one thing larger, or caught in a tug-of-war between who they’re and what they’re anticipated to be. AViVA’s capacity to channel private expertise whereas leaving area for listeners to convey their very own that means is a part of what makes her music resonate so deeply. She’s constructed a whole universe for her rising neighborhood of who she calls “Outsiders,” and with Eyes Extensive Shut she’s pushing her artistic universe even additional, with new music, an upcoming cyberpunk novel and graphic storytelling.
:: “Treatment” – The Straights ::
Danielle Holian, Galway, Eire
The Straights are again with “Treatment,” an explosive new single that mixes uncooked emotion with high-octane power, creating the right anthem for anybody in search of launch in a loud world. Hailing from Portsmouth, the band is thought for his or her unapologetic mix of Storage Rock, Indie, and Different influences, and this monitor takes their signature sound to thrilling new heights. With blistering guitar riffs, pounding drums, and George Years’ gritty, impassioned vocals, “Treatment” is a visceral journey by private chaos, providing a cathartic escape for listeners craving unfiltered, rebellious power.
“Treatment” explores emotional turmoil and the determined pursuit of therapeutic by sound, sweat, and spirit. As Years explains, the music is about feeling damaged and trying to find a means again to stability. The monitor’s messy, loud, and unapologetic power completely mirrors that journey. A favourite for followers of bands like The Libertines and The Black Keys, “Treatment” stands as a robust testomony to The Straights’ rising affect within the UK rock scene. With this single, the band reminds us that typically, one of the best ways to heal is thru pure, unrelenting noise, a philosophy they embody completely on this exhilarating launch.
:: “Rose-Tinted” – Szou ::
Mitch Mosk, Beacon, New York
My god, this music is catchy. Szou’s “Rose-Tinted” is an immediate excessive – a double espresso shot to the soul. It’s effervescent, energetic, glitchy, dreamy, dramatic, and simply straight-up enjoyable. The London-based duo have delivered a stunning blast of indie-dance nostalgia that hits arduous and lingers lengthy after the ultimate refrain fades. And what a refrain it’s: A shimmering explosion of harmonies and vocal doubling that turns introspection into euphoria. A fiery, invigorating fever dream, “Rose-Tinted” doesn’t simply ask you to recollect; it calls for you are feeling.
How can I let go?
After I carry on wanting again
After I’m shedding myself
In all these pictures
And I’d give something
To do what we as soon as did
To dwell that life we had
And it’s not prefer it’s not the identical
And it’s not like we’ve misplaced our methods
And it’s not like we’ve even actually modified
It’s not like that
Impressed by Two Door Cinema Membership’s “I Can Speak,” and echoing the push of Bombay Bicycle Membership, Foals, and The 1975, Szou channel their influences into one thing contemporary and totally their very own. Vocalist Zoe Kent is a power of nature – breathless and commanding, emotional and electrical – as she sings of longing, reminiscence, and the way in which the previous retains tugging at present. “I consider you typically late at night time / For a minute or two, I’m again in time,” she croons, her voice using a tidal wave of synths, guitars, and pounding beats. It’s an exhilarating juxtaposition of motion and stillness, of nostalgia and now.
I consider you
Typically late at night time
For a minute or two
I’m again in time
I don’t want no machine to take me there
Don’t want nothing to depend again the hours
Simply want one thing to maintain me right here
With that longing
“I wrote the lyrics to ‘Rose-Tinted’ after flicking by some previous photographs on Fb,” Kent shares. “I’m fairly an emotional particular person and keep in mind feeling such a robust sense of longing while wanting by them. A lot so, I even longed for occasions that I knew weren’t nice which sounds emo, however really I realised I used to be mourning the particular person I was. We began opening our gigs with the music, and seen that the viewers beloved dancing to it particularly as a result of it’s very quick.”
“My bandmate David produced a model with our dwell band, and we had been influenced by the loopy power of ‘I Can Speak’ by Two Door Cinema Membership. Two Door have such a good way of constructing you progress emotionally and likewise actually and we attempt to try this too! ‘Rose-Tinted’ has all the time been a fan favorite and other people stored saying they wished to listen to the recorded model. We’re actually glad they get to listen to it now and hope we’ve achieved it justice!”
Was like a candy dream,
Solar-kissed summer season haze
It’s all historic previous
However felt like yesterday
Want I knew what I knew now
Would have turned my life round
Carried out away with all the grey
And it’s not prefer it’s not the identical
And it’s not like we’ve misplaced our methods
And it’s not like we’ve even actually modified
It’s not like that
It’s secure to say they’ve. Szou are getting into their indie-dance period with model and function, and “Rose-Tinted” is the form of monitor that crystallizes every part they do greatest: Daring manufacturing, emotional lyrics, and sufficient power to fill a stadium. It’s the soundtrack to 2AM reminiscences and late-night longing, to summers that felt countless and heartbreaks that also sting. And with every hear, you’ll end up swept up in it – caught within the blur of what was, what may’ve been, and what nonetheless lingers.
Whether or not you’re dancing alone in your room or screaming alongside in a packed venue, “Rose-Tinted” seems like a second – one which glows vibrant, burns quick, and leaves you wanting extra.
I consider you
Typically late at night time
For a minute or two
I’m again in time
I don’t want no machine to take me there
Don’t want nothing to depend again the hours
Simply want one thing to maintain me right here
With that longing
I needs to be current however I get so swept up in it
The great and the unhealthy it’s all rose tinted
These pictures
Present me these items
Feeling all that longing
:: Child Boy – Jaylon ::
Danielle Holian, Galway, Eire
Jaylon, a producer and songwriter, is rewriting the Afro R&B playbook with Child Boy, a sun-drenched, genre-fluid EP that pulses with soul, swagger, and sincerity. Throughout six tracks, Jaylon crafts a deeply private narrative, an autobiographical celebration of motion, reminiscence, and music’s energy to attach worlds. What makes Child Boy so compelling isn’t simply its pristine manufacturing or star-studded options (although appearances from Azanti, Minz, Anjeli, and extra definitely don’t harm). It’s the guts embedded in each kick, each chord. This isn’t factory-line Afrobeats, it’s a handcrafted mosaic of rhythm and resonance, designed for each the headphones and the dancefloor.
Jaylon’s sonic id is difficult to pin down, and I suppose that’s the purpose. He dips into the nice and cozy hues of R&B, the infectious bounce of dancehall, and the minimalist sharpness of UK soul, all the time returning to a distinctly Afrocentric core. It’s the sound of an artist bridging generations, continents, and genres with a lightweight contact and a deep groove. Very like the giants he’s labored with (Mr Eazi, Blaqbonez, DJ Tunez), Jaylon is much less occupied with becoming in than he’s in constructing new sonic territory. Child Boy doesn’t simply replicate the place he’s from or the place he’s been; it indicators the place Afro-fusion is headed subsequent.
:: “Little Flea” – Òrain ::
Mitch Mosk, Beacon, New York
òrain’s “Little Flea” seems like daylight slipping by leaves; like a dream you get up from slowly, however by no means fairly neglect. The ultimate monitor lifted from their Hanging Fruit EP, this music is dreamy and wondrous – mushy and sluggish and brooding and exquisite. It’s lush with people textures and wealthy in feeling: Flute, acoustic guitar, and delicate harmonizing vocals intertwine to create a soundscape as emotionally potent as it’s releasing – gentle, lilting, heat, and candy. Folks lushness, at its best.
This time you laughed on the feeling
that you just felt from earlier than,
These drained issues spherical you
that used to imply a lot extra.
And it’s ready, it’s ready,
it’s ready so that you can adore it
You attempt to get up and your
eyes are tied shut, you ignore it.
And I simply needed to ask, oh child, is it true?
I came to visit to
See if it’s true
That is the primary òrain monitor to function Molly Ingleby on lead vocals, and she or he delivers a wide ranging efficiency – mild and ghostly, but grounded in a mushy ache. Her voice dances frivolously across the instrumental’s sun-bleached edges, evoking a longing that’s much less about heartbreak and extra in regards to the slippery nature of reminiscence itself. You may really feel the Hebridean sea mist hanging over each observe, the gap between previous and current stretching skinny. There’s a weightlessness to this music that makes it hit even tougher; it carries you someplace distant earlier than softly putting you again down once more.
“‘Little Flea’ was initially titled Mialum, the Gaelic translation of its title, impressed by the fantastically unusual place-names on the island the place it was written,” òrain’s Fraser Johnston explains. “That language – so tied to panorama and climate and reminiscence – set the tone for the music. Molly and I wrote it on a visit there. We had been listening to numerous Sylvie, Jessica Pratt, and Neil Younger that summer season. That mild, expansive, sun-drenched sound. However as an alternative of Laurel Canyon, we had the Hebrides: lengthy horizons, sea mist, and most of all – quiet.”
“The music is actually about your relationship to dwelling. The way it modifications, how sure locations, relationships, and even variations of your self begin to really feel faraway or unreal, and also you ponder whether or not it’s improper to really feel in a different way to the way it was. It’s straightforward to get nostalgic in a spot like that, totally distant from the insanity of a giant metropolis. We wished to carry that rigidity within the music – the heat and the ache of wanting again. And I believe that’s the place Reuben – our guitar participant – actually shines. The way in which he helped mould and layer that lengthy instrumental passage, that half is actually all him. It was all achieved in a day. Regardless of laying the fundamental tracks down dwell pretty shortly, we toiled over it a bit of bit in direction of the top – there have been so many choices. However we took the much less is extra strategy and I believe it’s higher for it.”
Again once more, again once more,
again as soon as once more to this place,
I hardly recognise the
floor as much as the skies, nowadays.
And it’s altering, it’s altering,
it’s altering once more in your thoughts
Flip your self round
to depart what you’ve discovered on a regular basis
And I simply needed to ask, oh child, is it true?
I came to visit to
See if it’s true
They’re proper. That “much less is extra” restraint is what makes “Little Flea” so fascinating. It unfolds like a slow-motion reminiscence – one you didn’t know you continue to carried, however can all of a sudden really feel with aching readability. In a world that not often makes area for stillness, òrain supply a second to pause and replicate. To breathe. To recollect. And perhaps, to return dwelling to your self.
This isn’t only a music. It’s a spell.
Again once more, again once more,
again as soon as once more to this place,
I not recognise the bottom
as much as the skies, nowadays.
And life’s ready, it’s ready
it’s ready so that you can adore it
So that you can adore it
:: “Made for” – Reigns ::
Rachel Leong, France
Reigns, rising UK artist, returns with “Made For.” This daring and emotionally-charged monitor leads with hovering vocals and fearless artistry; according to the artist’s dynamic fusions of soul, pop, and R&B sensibilities. Highly effective lyricism evokes the interior battle of a relationship constructed totally on bodily want. The battle comes upon the realisation that it’s void of emotional compatibility. Reigns is not any stranger to unapologetically tackling subjects near the guts, and “Made For” does this undeniably. Sonically, “Made For” leans into nostalgic ’90s R&B textures – slinking drum loops, ethereal synths, and slick melodies – but maintains a really feel that’s refreshingly present. Written in beneath two hours on a prepare journey to London and recorded the very subsequent day, “Made For” is a product of pure artistic intuition.
:: “The Faux Reality” – Giampaolo Pasquile ::
Danielle Holian, Galway, Eire
Giampaolo Pasquile’s The Faux Reality is much less an album and extra a mirror held as much as time itself – its tracks transfer like echoes from a distant previous, woven by the circuitry of tomorrow. With every observe, Pasquile stitches analog soul into digital seams, crafting a sonic tapestry the place reminiscence breathes by machines. There’s a quiet ache beneath the shimmer, a reverence for the heat of imperfection, and but an embrace of precision not as an enemy, however as a curious pal. It’s music that feels lived in, haunted by ghosts of reel-to-reel recordings, but sharpened by the glint of synthetic intelligence serving not as muse, however as an amplifier of intent.
In The Faux Reality, nostalgia doesn’t look backwards; it questions ahead. Pasquile dares us to rethink what’s actual, what’s remembered, and what’s manufactured. The album hums with the strain of transition: a world the place heartbeats sync with algorithms, and emotion glints behind the display screen. By every deeply felt melody and textured concord, Pasquile proves that even within the age of the factitious, fact, nevertheless “pretend,” nonetheless rings within the human ear with devastating magnificence.
:: “New Age Love” – Peso The Misfit ::
Danielle Holian, Galway, Eire
Peso The Misfit kicks off a daring new period with “New Age Love,” a clean, swagger-drenched R&B minimize that oozes laid-back appeal and cinematic aptitude. Identified for turning his dwell exhibits into immersive story-driven experiences, Peso brings that very same narrative magic into the studio, delivering a monitor that feels just like the opening scene of a late-night love story. With silky vocals, intelligent lyricism, and simply the best trace of playful mischief, “New Age Love” doesn’t simply set a vibe, it units the stage for one thing larger. This single is the primary chapter in a four-part musical narrative Peso plans to launch throughout the summer season, and if that is the introduction, we’re in for a journey. Suppose PARTYNEXTDOOR meets Donald Glover with a contact of indie-film soul. Peso isn’t simply making music as he’s constructing a world, and “New Age Love” is the sleek, seductive invitation into it.
:: “Backyard” – Dailla ::
Danielle Holian, Galway, Eire
Tright here’s a quiet ache woven into each observe of Dailla’s newest single “Backyard,” a shocking, slow-burning alt-pop ballad that feels each deeply intimate and universally resonant. The monitor marks a daring emotional excessive for the rising artist, who crafts her world by lush piano, cinematic strings, and atmospheric touches that blur the road between sound and sensation. Her voice, trembling with vulnerability, leads us by a lyrical panorama the place love is tenderly nurtured, very like the title suggests. With naturalistic textures like birdsong fluttering within the background, “Backyard” blossoms right into a sonic sanctuary, a spot the place belief, longing, and emotional fragility will not be solely felt however celebrated.
Dailla’s songwriting walks the wonderful line between poetry and confession, by no means shying away from emotional depth. Strains like “Like a butterfly, I fly so excessive, it hurts” pierce with the form of honesty that defines an excellent lyricist, unfiltered, lovely, and deeply human. In a world of overproduced heartbreak anthems, “Backyard” stands out for its stillness, its slowness, and its unwavering sincerity. It’s a love music, sure, however greater than that, it’s a meditation on the braveness it takes to take care of one thing fragile. With this launch, Dailla proves herself as not only a voice in different pop however a real emotional architect. “Backyard” is a standout monitor from an artist who’s clearly simply starting to bloom.
— — — —
Connect with us on
Fb, Twitter, Instagram
Uncover new music on Atwood Journal
:: Weekly Roundup ::
observe WEEKLY ROUNDUP on Spotify
:: This Week’s Options ::
