Canadian singer/songwriter Lucette goes track-by-track by her smoldering, soul-baring EP ‘Good Woman From the Suburbs’ — six “self-deprecating anthems” that delve into the wonder and brutality of feeling the whole lot, from heartbreak and imposter syndrome to emotional turmoil, development, and style.
Stream: “Again within the Blue” – Lucette ft. Mariel Buckley
What does it imply to be a good lady from the suburbs?
Possibly she’s well-mannered and soft-spoken, raised on cul-de-sacs and yard barbecues, church on Sundays and summers on the lake. Possibly she says please and thanks, will get good grades, and doesn’t ruffle too many feathers. However what if she additionally screams into the void typically? What if she self-sabotages, messes up, lies awake at evening questioning if she’s an excessive amount of or not sufficient? Possibly she drinks an excessive amount of wine on a Tuesday. Possibly she writes heartbreak songs she’s too scared to share. Possibly she’s all these issues. Or none of them. Possibly each could be true on the identical time.
Lucette’s newest EP Good Woman From The Suburbs finds the Canadian singer/songwriter (née Lauren Gillis) diving deep into vulnerability, self-reflection, and emotional reckoning. Produced by Søren Hansen (of New Politics), it’s a report born from ache and uncertainty, but pulsing with the quiet power of self-awareness and hard-earned development. A mix of confessional songwriting and self-deprecating humor, the EP is as a lot a homecoming as it’s a reinvention — a reintroduction to an artist who’s lived, discovered, and now dares to inform it like it’s. Coming 5 years after her sophomore album Deluxe Resort Room, this new chapter trades polished sorrow for uncooked honesty, as Lucette processes the whole lot from harm and isolation to imposter syndrome and falling in love once more.
The result’s a physique of labor that’s unfiltered and deeply private — six songs that meet messy emotions head-on, with out attempting to wash them up or wrap them in metaphor. As an alternative, Lucette embraces the chaos, wielding her voice like a balm and a blade.
“I believe I felt actually misplaced after the discharge of Deluxe Resort Room,” she tells Atwood Journal, reflecting on the EP’s origin story. “It was solely out for 10 months earlier than the pandemic, and it felt prefer it didn’t have sufficient time to breathe as a report. I used to be already engaged on the subsequent challenge in 2020, with plans to make a report in 2021. I suffered an harm that compelled me to redirect my plans and write a whole lot of songs that felt extra susceptible.”
“I believe Good Woman was born out of a spot of feeling very misplaced, deserted, and self-loathing. It took me a very long time to begin to really feel okay about myself once more and this EP represents that journey. It’s actually about me being sincere with myself. And I discovered love! So I received to throw in a enjoyable little love quantity too.”
That journey unfolded in sudden methods. “I don’t know if I consider in divine timing, however I do consider in following vibes,” she says. “I had a full album already within the can, with a really totally different imaginative and prescient, however it wasn’t sitting proper with me. I met Soren Hansen in November of 2023 and we simply received one another. It had been a minute since I’d collaborated with somebody on this method. We shortly grew to become good pals, wrote extra materials collectively, and determined to report them. It felt just like the imaginative and prescient for this EP was an evolving course of that met me precisely the place I used to be on the time, but additionally an amalgamation of the final 5 years. It looks like probably the most correct model of the place I’m at, and the place I’ve been.”

In that sense, Good Woman From The Suburbs doesn’t simply doc Lucette’s transformation – it enacts it.
“I believe each challenge I’ve made has been an growth on the final one,” she says. “I really feel like albums seize a second in time, and this undoubtedly represents the place I’ve been since DHR. I do know I’ve grown as an individual and as a author, and I really feel like Good Woman represents that development. I’ve by no means felt extra collaborative in a studio surroundings, so I really feel just like the listener is getting extra of who I’m within the sound in comparison with earlier data. It additionally is way extra susceptible than a whole lot of my earlier writing, so if something, this reintroduction permits individuals to get to know me a bit of extra intimately.”
Lucette candidly describes Good Woman From The Suburbs as a group of “self-deprecating anthems” – songs that naked their bruises, embrace the mess, and dance by the injury. The title, she explains, is her method of poking enjoyable at herself — and interrogating the very picture it suggests. “I consider my upbringing and the place I’m at now and chuckle a bit,” she says. “I’ve a tremendous household, and had a fantastic childhood, however I even have had the entire points. I not at all really feel like I’m a sufferer, however my experiences have triggered me a whole lot of ache, and a whole lot of that ache has been due to my very own doing. I’ll be the primary to confess that. I believe I needed the title to conjure up a picture, and present that I am that picture in some methods, but in addition the exact opposite.”
The EP kicks off with “Too Quickly for Sorry,” a haunting late-night confession wrapped in a haze of longing and self-destruction – in addition to a soulful mix of ’90s dream pop, different rock, and Americana. With melancholic melodies and aching lyricism, Lucette captures the heavy weight of unresolved feelings – the sort that hit hardest within the quiet hours earlier than daybreak – crafting a deeply private but universally relatable story of missed probabilities and lingering ghosts. Atwood Journal had the glory of premiering the monitor this previous February, declaring it a “smoky, soulful fever dream.”
“‘Too Quickly for Sorry’ is a traditional story of undervaluing somebody whilst you have them,” Lucette explains. “It’s about wanting them much more within the aftermath of a breakup. Listening to their identify by informal acquaintances, over cigarettes outdoors of the bar, and wishing they have been there as an alternative of listening to how they’re doing from a stranger… It’s about admitting once you’re the issue in a breakup, wishing you possibly can repair it, however realizing it’s too quickly to heal that wound, and too quickly for sorrys.”
From there, the EP plunges deeper into vulnerability and self-confrontation, all whereas protecting its vitality and emotional pressure intact.
“Again within the Blue” smolders with bluesy seduction, co-written with Mariel Buckley and born from the haze of post-surgery ache — a slow-burning reckoning with bodily limitations and the emotional unraveling that follows. “True Devotion” brings a welcome breath of recent air by a burst of buoyant heat — groovy and intoxicating, it revels within the dizzying early days of falling for somebody new, mirroring the giddy sweetness of recent love by an irresistible singalong refrain.
“Heading for the Finish” leans into catastrophic considering with a sinister softness, its outlaw country-rock grit underscoring Lucette’s consciousness of her personal self-sabotage, and the maddening futility of well-meaning recommendation once you’re already in a darkish place. “Rodeo Clown” is a cathartic, enchanting ballad wealthy in concord and uncooked emotion, capturing the crushing weight of imposter syndrome and the quiet heartbreak of attempting and failing to consider you’re sufficient. Lucette employs the metaphor of a failed bronc rider turned entertainer to discover what it means to work tirelessly and nonetheless really feel like a joke. And eventually, “Wasted Monday” closes the report in an emotionally charged fog of burnout and paralysis as Lucette captures acquainted cycles of overthinking, self-inflicted disappointment, and the gradual, stumbling path towards self-forgiveness.
Lucette doesn’t have only one favourite; all six tracks on Good Woman From The Suburbs carry their very own private weight and which means. “Every tune represents one thing totally different for me, and I’m happy with every second on this report,” she says — however in terms of lyrics, one monitor stands out. “‘Rodeo Clown’ is my favourite tune lyrically,” she shares. “‘I had my pictures, had my probabilities, by no means made it seven seconds, I remorse it, I actually do.’ I used to be attempting to seize what it feels prefer to strive time and again, however by no means progress. The seven seconds represents failure. Not even near profitable, getting previous eight seconds. It feels determined and unhappy, and typically, that’s what being an artist looks like.”

Via bruised honesty, wry humor, and a fearless embrace of emotional complexity, Good Woman From The Suburbs reintroduces Lucette not simply as a singer or songwriter, however as a storyteller unafraid to indicate each crack and contradiction. It’s a report that laughs by the wreckage, mourns what might’ve been, and finds consolation in small, hard-won truths. Whether or not she’s spiraling in self-doubt, falling in love, or just attempting to make it by a wasted Monday, Lucette invitations listeners into the mess together with her – to not remedy it, however to sit down in it, and perhaps even really feel rather less alone.
“I hope individuals really feel seen,” Lucette shares. “I do know I’ve huge messy emotions, and typically it looks like we’ve got to dumb these down so as to get by. I need individuals who typically go to darkish locations of their minds to really feel heard, not alone, and supported by these tunes.”
“I believe everybody can really feel like an imposter, whether or not you’re an artist or not. I suppose I simply hope {that a} misplaced soul can discover these songs relatable, and know that there’s hope in not feeling remoted in these moments. I really feel what I’ve taken away from this challenge is that once you’re happy with the artwork, the end result doesn’t matter. It simply feels good.”
And that’s the quiet energy of Good Woman From the Suburbs: it doesn’t promise decision, however it provides recognition. In embracing the contradictions, Lucette provides area for all of it — the ache, the humor, the therapeutic, and the hope – and reminds us that being a piece in progress is greater than sufficient.
Expertise the total report by way of our beneath stream, and peek inside Lucette’s Good Woman From the Suburbs EP with Atwood Journal as she takes us track-by-track by the music and lyrics of her newest launch!
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Stream: ‘Good Woman From the Suburbs’ – Lucette
:: Inside Good Woman From the Suburbs ::
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Too Quickly for Sorry
“Too Quickly for Sorry” about that craving feeling after a breakup once you’re going by the whole lot you possibly can’ve completed to make it higher, and realizing that in some regard, you have been responsible for the connection’s demise. I believe as a result of I’m from a smaller metropolis, it particularly looks like after a relationship, you possibly can’t escape it since you find yourself listening to in regards to the particular person everytime you’re out. It looks like you possibly can’t go to the identical locations you used to with out desirous about the entire instances you spent along with your ex there. East Nashville felt that solution to me too, and Tim Bruns (my co-writer), received that message as effectively. The hazy, smoky nights spent at dive bars, and all you need is in your particular person to be there with you, as an alternative of listening to their identify from a dialog throughout the bar.
Again within the Blue
I wrote this tune three weeks after having surgical procedure on my leg, so I used to be bodily in a whole lot of ache, however I felt that mentally too. I used to be on heavy ache meds, not sleeping in any respect, and due to the restricted mobility, I additionally felt trapped in my thoughts a bit. I mirrored so much on my life and in some methods, this harm helped me discover the boldness to let go of limiting perception techniques for as soon as and for all, and that theme is carried all through the tune. It’s additionally about recognizing there’s grace in accepting that typically life throws you a lemon and you actually simply don’t really feel like making lemonade.
True Devotion
This tune is about that dizzying feeling of falling for somebody. You are feeling on prime of the world and hopeful, in a neurotic method on the identical time. The start of a relationship is such a enjoyable whirlwind of a time and I needed to seize that feeling! You nearly turn out to be tacky in a method once you’re on the stage. I used to be reminiscing about these emotions once I first began relationship my associate and nearly laughed a bit. We’re so comfortable now too however I keep in mind that topsy-turvy feeling of falling in love once more, and it made me so comfortable to jot down about it.
Heading for the Finish
This tune was the primary tune I co-wrote with Soren Hansen and it actually sparked the journey for the EP. As an alternative of being a sufferer, I needed to acknowledge that a few of my darker moments are self-induced. It’s about how straightforward it’s to run with catastrophic considering once you’re already in a darkish place. I additionally really feel like once I’m in a rut, the very last thing I need is for somebody to present me easy solutions on the right way to get out of it. Even when they’re proper, it’s the very last thing you are feeling like listening to at that second.
Rodeo Clown
I believe particularly these days, it’s really easy to fall into the lure of comparability. We’re bombarded with updates on everybody else’s lives, and it’s onerous to not really feel like an imposter. I undoubtedly really feel like I’ve robbed myself of pleasure by considering this manner, however I additionally really feel prefer it’s onerous to have fun once you really feel like a fraud. This tune is my method of explaining that despite the fact that I’ve labored my ass off, I nonetheless really feel lesser than typically. I considered a situation the place a cowboy put in a lot work to be a bronc rider, however by no means received previous 7 seconds, and was relegated to the court docket jester position as an alternative. Getting laughs as an alternative of approval.
Wasted Monday
This tune is for anybody who will get debilitated by stress and as an alternative of chipping away at duties, they waste a day by anxiety-induced paralysis. It’s additionally for anybody who goes too onerous after which suffers the results of it by throwing productiveness to the wind. The worst a part of it’s once you understand you haven’t discovered out of your previous and repeat the identical patterns. Much like heading for the top, it’s about feeling darkish and misplaced, however placing your self there.
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Stream: “Too Quickly for Sorry” – Lucette
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