Dancers of Damelahamid full-length work Raven Mom will hit Toronto’s Fleck Dance Theatre on November 29. The efficiency is a part of a cross nation tour supported by plenty of dance presenters.
Raven Mom celebrates the impression of sturdy matriarchs throughout the generations, and is carried out to reside unique music and vocals. Particularly, it’s an homage to the late Elder Margaret Harris, who co-founded Dancers of Damelahamid in 1967.
She can be mom to the corporate’s Govt & Inventive Director Margaret Grenier. The performers embody Margaret Grenier, and Harris’s grandchildren Nigel Baker-Grenier and Raven Grenier, in addition to Margaret’s niece Tobie Wick and daughter-in-law Rebecca Baker-Grenier.
We spoke with Margaret Grenier in regards to the custom in addition to Raven Mom. First, a bit mandatory background.
The Potlatch Ban
Many Canadians stay unaware of the extent of the means by which the Canadian authorities tried to erase Indigenous tradition.
Within the late nineteenth century, what was known as the anti-potlatch proclamation went into impact, changing into regulation on January 1, 1885. It outlawed the celebration of the potlatch ceremony, and particularly dance. For the Indigenous folks of North America’s Pacific Northwest coastal area, the potlatch ceremony was a cornerstone of not solely their tradition, however their society itself, expressed in ceremonial type.
The regulation was in power for greater than six many years, many Indigenous folks have been charged and imprisoned for the offence of performing conventional dance. The Potlatch Ban was in impact till 1951.
These cultural practices, nevertheless, continued and survived in secret inside Indigenous communities.
Elder Harris
Elder Harris (1931-2020) was a Cree Elder. Initially from Northern Manitoba, she would spend most of her life on the Northwest Coast of British Columbia. She educated along with her mother-in-law, Gitxsan Matriarch Irene Harris, and have become decided to revitalize and educate Indigenous cultural apply, the place music, dance, storytelling and regalia making are an integral a part of heritage.
In co-founding Dancers of Damelahamid, and instructing future generations, she had a huge effect on the revitalization of Indigenous dance alongside the entire Northwest Coast. A part of the theme of Raven Mom is underscoring the pivotal position girls have performed when it comes to preserving cultural data, together with music, dance, tales, and regalia making.
As we speak, due to the legacy of Harris and others, historically based mostly cultural practices are seeing a resurgence.
Govt & Inventive Director Margaret Grenier: The Interview
Dance types an integral a part of Gitksan tradition, and that of different West Coast First Nations.
“That’s one thing that encompasses much more for us in our apply. We’ve used dance to hold our oral historical past ahead all through time. Primarily, dance has instructed the tales, going again to our origin tales, important occasions in our historical past,” explains Margaret Grenier.
“The way in which I might describe dance is that’s carries the ancestral data that we use to determine our values or the way in which reside and carry ourselves in our world.”
It goes past the thought of making artwork or efficiency; it’s a vital a part of identification. The Potlatch Ban turned cultural apply into an underground act of resistance.
“The Potlatch ban, for us, in our households, it lasted nearly all of the lifetime of my grandmother,” she factors out, noting that her personal grandmother, who was born in Eighteen Eighties, was already an elder when it was lastly rescinded within the Fifties.
Her mom Margaret Harris would turn out to be an elder in her personal proper.
“She educated folks, after which they carried it on to verify it could be revitalized, that we might have the power to hold it ahead at present.”
The dance as it’s practiced at present retains the identical types because the custom, however has additionally developed. As a approach of preserving historical past, it now additionally tells the story of what occurred in the course of the Potlatch Ban, and its results that reach to at present.
“We add to that narrative with the voices of at present,” she says. As we speak’s story features a narrative of resurgence, and of building their very own house throughout the colonial context. “That does turn out to be a part of our story as properly.”
The pandemic added a concentrate on the necessity for well being and wellness, and the isolation of younger folks specifically in the course of the lockdowns. Dance, music, and storytelling join the group the place the position of matriarch is a vital one.
“It ties into what we’re saying about it being a apply,” Grenier explains, “the care that comes with it, as a result of it does come from girls, moms and grandmothers, they’re doing it for his or her youngsters too. It’s not a simple weight to hold.”
The generations who’ve taken on the duty of rebuilding have a vital job. “It has been completed with such love, such imaginative and prescient, and hope for change.” That hope is for an impetus that strikes in direction of one thing that’s much less fragile. “For previous generations, it actually was on the shoulders of people,” she notes. Reaching extra folks, and creating and increasing the attain of a vibrant and dwelling tradition is the objective, the place a community and established establishments can take the weigh off the shoulders of people.
“It’s extra than simply the gentleness that we’d affiliate with girls, it’s actually that deep power that’s wanted to do the work,” she says. “That’s one thing very particular that ladies actually carry — the capability to persevere […] to carry on to the hope.”
Raven Mom
“Margaret Harris, she was very outstanding,” says Margaret Grenier. She describes a lady who not solely labored tirelessly for her circle of relatives, however who created a house that was at all times open for others. She recollects her fostering dozens of kids over time, and dealing with troubled girls within the Downtown Eastside of Vancouver. “She did a lot for others. Plenty of it was via cultural teachings, instructing music and dance.” Harris created group via these practices.
To commemorate her, it needed to be one thing particular. “We needed to do a piece that basically spoke to what she left us, not simply when it comes to artwork, however what she taught us via her generosity, her dedication to others.”
The teachings she realized from her mom have been many. “We’d like to have the ability to see as people, what we will do. What might appear to be an excessive amount of, actually isn’t.”
Raven Mom unfolds in a collection of vignettes that inform a narrative, mixing motion, music, music, regalia, masks, and sculptures of the Gitxsan folks. Historically, the Raven crest, which seems in numerous types all through the piece, denotes transformation, and it embodies the lineage of cultural teachings.
The manufacturing is about to unique music and reside vocals by Raven Grenier, in collaboration with composer Ted Hamilton, and incorporates multimedia projections by Indigenous artist Andy Moro.
Northwest Coast artists David A. Boxley, David R. Boxley, Jim Charlie, Raven Grenier, Kandi McGilton, and Dylan Sanidad contributed their work to the manufacturing, together with a Raven transformation masks that opens to disclose a collection of smaller human faces, interconnected, inside. Every of the smaller masks represents a era of daughters who’ve been impressed by their matriarch. Designer Rebecca Baker-Grenier crafted a raven cloak fabricated from feathers. The work represents a standard Gitxsan piece that has not been utilized in dance efficiency for a lot of generations.
Making a multimedia piece got here naturally. “I feel that in itself is in some ways is reflective of our apply,” Grenier says. “In an effort to have dance, we want music,” she says.
“That’s what our mom actually instilled in us, was, that in an effort to do the apply, you may’t go away any of it behind.”
She says that the response has been overwhelmingly optimistic, in tune with the way in which the work was conceived. “Work that’s created with that intention, can be felt by the individuals who see the work.”
- There might be two performances of Dancers of Damelahamid’s full-length multimedia work Raven Mom for its Toronto premiere on November 29 at Harbourfront Centre’s Fleck Dance Theatre. Discover extra particulars and tickets [HERE].
Are you seeking to promote an occasion? Have a information tip? Must know the most effective occasions occurring this weekend? Ship us a word.
#LUDWIGVAN
Get the every day arts information straight to your inbox.
Join the Ludwig Van Toronto e-Blast! — native classical music and opera information straight to your inbox HERE.
Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
