I’ve listed my “high tens” for a lot of artists, but it surely’s time to rummage via whole discographies and rank each single from worst to greatest. This characteristic will primarily sort out teams who’ve disbanded or gone on indefinite hiatus. It’s a method for me to re-evaluate my preliminary ideas on their singles run. Don’t be shocked if the order has modified from previous countdowns. These items are at all times in flux!
READ OTHER “RANKING EVERY SINGLE” FEATURES HERE!
17. Wow Conflict Tonight (2016)
I’m placing this on the backside not as a result of it’s a foul music (it’s an incredible traditional, really), however as a result of it’s been coated by 1,000,000 J-pop acts already and AOA’s model doesn’t actually do something new with it. (full evaluation)
16. I’m Jelly Child (AOA Cream) (2016)
I used to be overly harsh on this when it was launched. It’s nonetheless not a favourite, however I really like the funky synths and the melodies are nice. (full evaluation)
15. Bing Bing (2017)
This appears like a lesser model of different tracks, however its brassy bounce continues to be satisfying. (full evaluation)
14. Confused (2013)
This huge brassy sound fits them very effectively.
13. Come See Me (2019)
This can be a good EDM banger to ship the group off. It’s not as memorable as their greatest work, however nonetheless embraces the campy enjoyable they have been recognized for. (full evaluation)
12. Bingle Bangle (2018)
This chirpy summer season sound is a bit totally different for AOA however consists of sufficient of their musical hallmarks to work effectively. (full evaluation)
11. Good Luck (2016)
I like this, but it surely appears like a comedown after their wonderful 2014-15 materials. The mini album’s nice, although. (full evaluation)
10. Give Me The Love (ft. T.M.Revolution) (2016)
It’s nonetheless loopy to me that AOA collaborated with T.M.Revolution of all individuals. The music is nice, however must be wonderful given this stage of expertise. (full evaluation)
9. Moa (AOA Black) (2013)
Regardless of this being the group’s first “band” launch, it really sounds nearer to the Courageous Brothers produced pop that might finally make them enormous.
8. Oh Boy (2015)
AOA’s Japanese work maintained lots of the parts that made their Okay-pop releases so profitable and Oh Boy is the strongest instance.
7. Excuse Me (2017)
The swirling, hypnotic refrain is such a profitable hook. (full evaluation)
6. Miniskirt (2014)
This was the massive breakout second for AOA and it’s simple to see why. It’s so slinky and addictive. (full evaluation)
5. Get Out (2012)
The synths and total manufacturing are tremendous dated, however in a enjoyable method. Nice melodies assist this stand out.
4. Brief Hair (2014)
At this level, AOA had actually discovered their groove. Brief Hair’s refrain stays certainly one of 2014’s most enduring.
3. Elvis (2012)
That is such a unusual sound, displaying find out how to completely steadiness bratty sing-talk with ultra-catchy melodies and thrilling manufacturing. (full evaluation)
2. Like A Cat (2014)
What an earworm! I’m unsure any music has ever captured feline slinkiness higher. The refrain continues to be so addictive right this moment. (full evaluation)
1. Coronary heart Assault (2015)
Enjoyable truth: that is really my second most-played lady group monitor… ever. (Nicely, a minimum of since I began conserving monitor in mid-2015.) That’s how a lot I adore it. So far as I’m involved, that is Okay-pop (and Courageous Brothers) perfection.
