Atwood Journal is happy to share our Editor’s Picks column, written and curated by Editor-in-Chief Mitch Mosk. Each week, Mitch will share a group of songs, albums, and artists who’ve caught his ears, eyes, and coronary heart. There’s a lot unbelievable music on the market simply ready to be heard, and all it takes from us is an open thoughts and a willingness to hear. By our Editor’s Picks, we hope to shine a light-weight on our personal music discoveries and showcase a various array of recent and up to date releases.
This week’s Editor’s Picks options The Tullamarines, Ellur, Nadia Kadek, Sofa, runo plum, & Nonetheless Clean!
comply with EDITOR’S PICKS on Spotify
“Mendacity”
by The Tullamarines
“If I say I really like myself, I’m mendacity.” It’s a kind of traces that grabs you by the center and doesn’t let go – brutally sincere, deeply relatable, and immediately unforgettable. The Tullamarines waste no time slicing to the core on “Mendacity,” the second single off their forthcoming Security Blanket EP. It’s an electrifying pop/rock explosion of doubt and defiance – a vibrant, high-octane anthem that turns insecurity, imposter syndrome, and self-loathing into one thing cathartic, anthemic, and downright addictive.
I’ve by no means been certain about this
It’s deep down I can see
the way you missed it
However I simply endure and that’s alright
I’m out of it half the time
Tried one of the best to repair my thoughts
And I’ve been considering these days
you must pull me in
If I say I really like myself I’m mendacity
However I nonetheless hope that I get factors for attempting child
If I say I really like myself I’m mendacity
However I nonetheless hope that I get factors for attempting child
Launched in early June, “Mendacity” is likely one of the catchiest songs I’ve heard this aspect of 2012 – a rush jangly guitars, buoyant beats, and magnetic hooks that invite you to scream-sing alongside by the second refrain. It’s nostalgic and recent without delay – a vibrant shot of noughties pop/rock vitality supercharged for the 2020s, someplace between Sizzling Chelle Rae and 5SOS, with simply the suitable stability of attraction and churn. However beneath that infectious exterior, “Mendacity” is achingly sincere – a susceptible, gut-punch confessional about exhibiting up for your self even when it’s laborious.
“‘Mendacity’ is about insecurity, imposter syndrome, self-loathing, and the hassle to do higher,” the Australian band – comprised of Josh Thomas, Lucinda Machin, Angus Purvis, and Benny Waltho – tells Atwood Journal over e-mail. “That feeling of individuals leaving earlier than we carry out is a operating joke, but it surely comes from actual doubt. We battle with confidence in our music, picture – all the pieces. So we stated precisely how we felt, however wrapped it in sunny, ‘90s pop-inspired sounds. It’s sad-happy. Typically it’s simpler to fake you’re okay than to be susceptible. We hope this track helps folks really feel seen and encourages actual conversations.”
I don’t wanna inform somebody in case I come undone
However I’ve been considering these days how a lot eat
I don’t suppose I’m anybody suppose 12 months 9 obtained me ’trigger
I’m nonetheless believing all of the issues they stated to me
That duality pulses by way of each line: “If I say I really like myself, I’m mendacity / however I nonetheless hope that I get factors for attempting,” they sing loud and proud within the track’s unforgettable chorus. “It means precisely what it says,” the band displays, “in that I hope I can forgive myself for being harsh on my character or my physique after I’m not feeling good.” The phrases are uncooked and disarming, but delivered with a lot drive and verve that it feels empowering – like proudly owning your ache is step one towards therapeutic. And that’s what makes this track so particular: The Tullamarines don’t wallow of their feelings – they channel them into an inspiring rallying cry; a radiant, rousing anthem.
If I say I really like myself I’m mendacity
However I nonetheless hope that I get factors for attempting child
‘Trigger I’ve by no means been certain about this
It’s deep down I can see the way you missed it
However I simply endure and that’s me attempting child
If I say I really like myself I’m mendacity
However I nonetheless hope that I get factors for attempting child
If I say I really like myself and I’ve tried for one thing else
If I say I really like myself I’m mendacity
That candid spirit is the beating coronary heart of Security Blanket, a document they describe as sounding refreshingly completely different from the music that got here earlier than it – and one which’s opened up new artistic prospects for the Adelaide-based four-piece. “We actually needed to push the boat out with ‘Mendacity,’” they clarify. “The demo felt actually completely different to our normal model, and we had quite a lot of enjoyable with the syncopation and interweaving components. It felt like the proper track to push that ‘sad-happy’ vibe just a little additional, undoubtedly taking inspiration from Paramore’s After Laughter.”
“With the ability to take that threat and have everybody obtain it so nicely has been actually nice,” they add. “It’s given us confidence to maintain pushing that sound additional.”
And whereas their music is evolving, the band’s goal stays regular: “We’re simply 4 regular folks attempting to be as sincere as potential and hoping it connects with different folks’s experiences too,” they are saying. “If they’ll relate to it, simply know that we’re feeling it too – and it’s okay.”
With Security Blanket shaping as much as be a robust portrait of 20-something rising pains, “Mendacity” captures The Tullamarines’ spirit in full: Earnest, explosive, self-aware, and unapologetically alive.
‘Trigger I’ve by no means been certain about this
It’s deep down I can see the way you missed it
However I simply endure and that’s alright
I’m out of it half the time
Tried one of the best to repair my thoughts
And I’ve been considering these days you must pull me in
“Lacking Child”
by Ellur
Tright here’s a uncooked ache to Ellur’s “Lacking Child” that I felt in my bones the primary time I heard it – a searing, surging indie rock anthem that captures the spiraling expertise of attempting to maintain up, hold calm, and hold going. “This sinking feeling, I do know it so nicely,” she confesses within the refrain – but as feelings sink, our vitality ranges rise. That line alone hits a nerve – and the entire track retains the hits coming: It’s large and daring and heart-wrenchingly susceptible, with dazzling electrical guitars, breathtaking choruses, and cinematic ranges of catharsis that instantly make you are feeling extra alive.
Launched July 16 by way of Dance To The Radio, “Lacking Child” is Ellur’s first new single of 2025 and the start of a brand new period for the rising Halifax artist. A pointy, unfiltered reflection on the burden of maturity and the identification crises that accompany your early twenties, the monitor builds on the confessional brilliance of final 12 months’s God Assist Me Now EP, showcasing her reward for pairing gut-punch lyrics with unapologetically explosive indie rock. The track was produced by Joel Johnston (Far Caspian) and arrives amidst a busy pageant run and sold-out UK tour dates, additional cementing Ellur’s standing as one in all British indie’s most compelling new voices.
“I wrote it when rehearsing for a help tour I did final November, after I was feeling a bit self-critical and low,” Ellur tells Atwood Journal. “I felt like I’d spent my life copying everybody else and seeking to different folks for steering on how I needs to be dwelling my life. I wanted a track that may choose me up.”
So she made one – and it’s an absolute knockout. From the opening verse (“I’ve studied you, relentlessly… I glide ‘til I drown”) to that devastating hook (“Appear like I’m therapeutic, I’m going by way of Hell”), “Lacking Child” cuts deep and leaves a mark. It’s a rallying cry for many who’ve misplaced their manner, who really feel like strangers in their very own pores and skin – a thrashing, glistening reckoning with disgrace, self-doubt, and the unattainable job of figuring all of it out whereas pretending to be okay.
“I discover life throws me conditions typically and I’m left feeling like a child who’s misplaced their mum in a grocery store,” she says. “I suppose that’s what this track is about for me in the meanwhile. [It’s] about how I observe the folks in my life; I typically really feel like I’m simply copying what everybody else is doing, just because I don’t know what I’m ‘presupposed to’ do… It’s additionally about wanting to maneuver and getting different folks transferring once we play it reside. I really like taking part in it.”
That duality – of longing and launch, worry and freedom – programs by way of each inch of “Lacking Child.” You’ll be able to really feel her inside churn beneath the fiery guitars, but it surely’s all delivered with the form of livewire vitality that lifts you up even when the subject material drags you down. “It’s panic and despair and disgrace,” Ellur says of the track’s central emotion, “however I’m actually good at hiding it, haha.”
And but right here she is, not hiding in any respect – providing her inside world up in plain sight, and in doing so, making area for others to really feel much less alone. “I need folks to listen to it and suppose, ‘that’s how I really feel!’” she shares. “That’s often my aim with any music launch. Every time I play reside I search out a second with somebody within the viewers the place we are able to make eye contact and I can really feel that they perceive. With the ability to relate to folks I’ve by no means met with out even a dialog is so attention-grabbing to me. It’s like magic.”
With this track, that magic is palpable. “Lacking Child” is music at its most emotionally sincere and sonically thrilling – a surprising, scream-worthy standout from one in all indie’s brightest stars. As Ellur places it: “It’s the beginning of a sequence of songs that signify me at my finest and worst… I’m dwelling out my inside youngster’s dream, and I do all of it for her.”
“Lemonade”
by Nadia Kadek
When life gave Nadia Kadek lemons, she made a phenomenal, candy n’ bitter track. What started in a second of loneliness and self-doubt grew to become a glistening indie pop anthem – a radiant, cathartic launch wrapped in dreamy mild and tender melodies. “Who’re you, who’re you with out somebody to fall into?” the London-based artist asks in her second single “Lemonade” – a second of reckoning delivered like a sunbeam to the chest. There’s vulnerability in that query, together with a pressure of uncooked resilience: An intimate insistence that all of us want connection.
Maryann is a person on a mission
Acquired down in a deadly place
Is it love or simply lemonade?
Sugar rush on a satruday
Driving shift when its two within the morning
The DJ dives and he or she provides him a warning
This isn’t adore it’s simply lemonade
Maintain me shut and simply get away
Written throughout Kadek’s second 12 months of college, “Lemonade” bloomed from a interval of private unrest. “I used to be sitting with quite a lot of loneliness and was turning to exterior validation to be ok with myself,” she tells Atwood Journal. “I took this sense into the studio with my mates Benjamin Francis Leftwich and Matt Ingram, and we managed to show it into one thing I might dance and scream to – which is the fantastic thing about songwriting!” What might have been a comfortable and somber ballad is as a substitute expansive, expressive, and filled with movement – a track that aches and glows unexpectedly.
Who’re you?
Who’re you with out somebody to fall into?
Kadek has since discovered a brand new relationship with “Lemonade” – one rooted not in disgrace, however empathy. “The factor I really like about this track now’s the way it’s unapologetic and sincere,” she shares. “I’ve much more empathy now for the model of me who wrote it… It’s comprehensible to lengthy for love and connection throughout laborious instances, and it’s nothing to be ashamed about. We are able to’t all the time really feel fulfilled being utterly unbiased – life and love are about neighborhood!” That shift in perspective is what provides the track its endurance: It doesn’t scold or shrink back from longing – it embraces it, boldly and superbly.
The second-ever single of Kadek’s profession, “Lemonade” continues constructing the world she launched on her debut “Feeling It All,” and teases a bigger physique of labor to return – one which sits within the bittersweet glow of late summer season, navigating themes of nostalgia, intimacy, and quiet resilience. “Numerous this undertaking is about acceptance and forgiveness,” Kadek says. “I’d say ‘Lemonade’ is the messier kind of forgiveness within the narrative. It’s about accepting all your previous and future errors.” That complexity – the willingness to take a seat with what’s unresolved – makes her music really feel all of the extra human.
For Kadek, who describes her music as “confessional and sincere lyrics accompanied by heaps and many guitars,” this second is just the start – and “Lemonade” is the candy, sun-drenched invitation into her world. “The most effective feeling about releasing this track is that it isn’t simply mine anymore,” she displays. “It belongs to whoever hears it. The lyrics can imply a lot of various things, which is thrilling to me.”
For me, “Lemonade” is a reminder that vulnerability isn’t weak spot, however quite, a form of power. It’s about embracing our longings as a substitute of hiding them, and discovering energy in softness. There’s a lot coronary heart on this track – in its honesty, its heat, its ache – and that’s what makes it so particular. It may be a shoulder, a mirror, a dance break, a sigh of aid. That is messiness, forgiveness, and self-compassion set to music. No matter you want it to be, “Lemonade” is right here – filled with sweetness, filled with soul, and energetic.
“What Have been You Pondering”
by Sofa
It’s one factor to get your coronary heart damaged; it’s one other to look that heartbreak within the eye years later and say, “You had been unsuitable.” Sofa’s “What Have been You Pondering” is that second – daring and courageous, wounded and unflinching. It’s the track you write if you lastly see a state of affairs for what it was, and let your self really feel the complete weight of it – the loss, the confusion, the imbalance, the betrayal. And you then sing by way of it, belt by way of it, burn by way of it.
With glistening guitars, cinematic horns, and a molten vocal efficiency that smolders with ache and keenness, “What Have been You Pondering” is a fiery, soul-stirring eruption – a surprising reclamation of company, energy, and voice. The lead single off the Boston-based band’s upcoming debut album Massive Speak (out October 24th) surges with seductive emotional vitality: It’s colourful, cathartic, and compelling – the sound of a coronary heart therapeutic in actual time.
You name me right here on enterprise
I can’t imagine I’m sitting in your room
An actual life rock-and-roller
Tattoos alongside your shoulder
My mom wouldn’t such as you
You’re blowing smoke
You blink your sleepy eyes
Kiss me for the primary time
There goes my warning
I inhale your lies
You bought me paralyzed
“‘What Have been You Pondering’ is a mirrored image on a sophisticated on-again, off-again relationship that I used to be in at 19/20 with a 26-year-old musician in a band that I deeply admired,” lead singer Tema Siegel explains. “Shortly after we met, he started love-bombing me; the ability dynamic gave me pause, however I step by step let my guard down. As soon as he started touring once more, his affection vanished… For the primary time in my romantic life, I felt needy and small.” The track’s title, and its burning, aching refrain, are aimed immediately at that older presence who blurred traces, broke belief, and walked away. Now 26 herself, Siegel sings from a spot of readability and confidence. “As we speak, I’m the identical age he was once we met. It feels so empowering to inform him off like a peer.”
What had been you considering
Dealing with a coronary heart of 20 years like that
Twisting the knife in
Simply to sew it up
and pat your self on the again
That empowerment radiates by way of the band’s efficiency: There’s heartbreak on this track, sure – but in addition power. You’ll be able to hear it in each belted word, each shiny, brassy exhale. “What Have been You Pondering” doesn’t wallow; it rises. Siegel’s voice is uncooked, emotive, and incandescent, surrounded by a band firing on all cylinders. “Constructed up my urge for food, you then’re so scandalized after I was hungry for extra,” she sings, placing her foot down in a refrain that aches and soars unexpectedly.
You’re blowing smoke
You blink your sleepy eyes
Attempt to kiss me like the primary time
Caught with my coronary heart and my
Head so unaligned
You bought me paralyzed
Whereas Sofa have constructed their identify on pleasure, heat, and groove, Massive Speak represents a tonal growth – one which embraces life’s messier, murkier feelings. “Up till this level, our tales have been predominantly optimistic, joyful, and heartfelt,” Siegel shares. “‘Massive Speak’ embraces extra complicated and messy feelings. ‘What Have been You Pondering’ is one in all our first songs to take a extra assertive, direct, and offended tone.” That honesty doesn’t dampen the band’s spirit – it strengthens it, making this music really feel much more vibrant and alive.
What had been you considering
Dealing with a coronary heart of 20 years like that
Twisting the knife in
Simply to sew it up and pat your self on the again
Constructed up my urge for food
You then’re so scandalized
After I was hungry for extra
What had been you considering
Dealing with a coronary heart of 20 years like that
Sofa name Massive Speak their most collaborative, sincere, and expressive work but – a document that blends pop, R&B, funk, soul, and rock in dazzling, expansive style. With “What Have been You Pondering,” they set the tone with an anthem of autonomy and emotional braveness. “I hope this track emboldens folks in unhealthy relationships to ask their accomplice for extra considerate communication,” Siegel says. “If they’ll’t obtain that collectively, I hope they really feel the power to stroll away.”
This track is a stunner – searing, daring, breathtaking. Don’t be stunned if you end up singing alongside, fists clenched, dancing by way of the ache. Sofa are coming in scorching, and “What Have been You Pondering” is an exhilarating first style.
What had been you considering
Dealing with a coronary heart of 20 years like that
Twisting the knife in
Simply to sew it up and pat your self on the again
Constructed up my urge for food
You then’re so scandalized
After I was hungry for extra
What had been you considering
Dealing with a coronary heart of 20 years like that
“Lemon Garland”
by runo plum
runo plum’s “Lemon Garland” is a track of longing and heat – a wistful, radiant daydream that aches with tenderness and stirs the soul. Set in a fairytale world of shared meals and yard pleasure, her Winspear debut is as delicate as it’s dynamic: An indie people reverie that yearns for connection, blossoms with compassion, and embraces the intimacy of togetherness. “Give me firm, barefoot and muddy,” she sings within the refrain – a line that feels nearly whispered into the wind, like a want. These are the sorts of phrases you don’t simply sing; you really feel them in your bones.
home windows open, curtains blowing
lemon garland
darkish pink cherries
we’re spitting the pits into the backyard
the backyard
“This track is me dreaming and eager for friendship,” the Minnesota-based singer/songwriter tells Atwood Journal. “I think about dwelling in a large previous home in the midst of the woods, internet hosting my mates and feeling pure bliss. I’ve had little glimpses of this over the previous few years, however I at present reside fairly remoted from the world. There’s a phenomenal 12-string on this that provides such fullness to the track, which feels actually consultant of the neighborhood/friendship theme.”
A Minneapolis native with deep roots within the indie people and DIY scenes, runo plum has beforehand toured with artists like Angel Olsen and Searows, slowly constructing a faithful fanbase together with her intricate, emotionally charged songwriting. Written throughout a interval of isolation and recorded in a Vermont cabin with co-producer Lutalo Jones, “Lemon Garland” captures each the wondrous, poetic nature, in addition to the breathtakingly lovely fragility, of her artistry. The track got here to life slowly – a soft-lit fantasy formed by real-world loneliness. “This had been a piece in progress for the previous couple years I’d come to it in moments the place I felt actually lonely, and I’d discover myself dreaming of a time the place I wasn’t feeling like that,” she shares. Her vocals are tender and expressive, backed by a lush 12-string guitar and lilting electrical licks performed by her girlfriend Noa. The result’s a soundscape that feels expansive and intimate unexpectedly – an area to be susceptible, to belong.
plum sends shivers down the backbone as she spills her soul over glistening guitar chords, her voice comfortable and delicate but no much less forceful and energetic:
give me firm
barefoot and muddy
give me pointing
on the birds we’ve by no means seen earlier than
“That refrain was the toughest factor for me to get proper lyrically,” she explains. “I used to be actually attempting to seize one thing so pure. It’s simply me naming what I need: Connection, playfulness, being barefoot in a yard with mates. Awhile in the past my buddy Marlowe, who did the manufacturing and inventive course for the music video, confirmed me a track known as ‘Firm’ by Amos Coronary heart, who’s a buddy of theirs. There’s this line: ‘your organization is part of me, and one of the best that I can discover‘ – and I simply keep in mind considering, rattling. That’s precisely it. That’s what I need. Marlowe confirmed me that track whereas we had been on tour with their accomplice Alec (Searows), proper because the ‘bestiefication’ of our friendship was taking place. Pondering of the suitable phrases for the refrain, I used to be reminded of that track, and it felt so serendipitous and particular and kind of an ode to that point. It’s much more particular to have them each on this music video!”
The idealized imaginative and prescient of friendship that impressed “Lemon Garland” grew to become tangible the day they filmed the track’s music video, reworking artwork into life. “It’s actually only a healthful, feel-good track,” she smiles. “What makes it actually particular is that the fantasy I wrote about truly grew to become actual on the day we filmed the music video. That day felt like a present. I reside in Minneapolis, Minnesota, and most the chums in that video reside in Portland, so I solely get to see them just a few instances a 12 months. However ‘Lemon Garland’ captures a kind of uncommon, golden days. I hope listeners really feel that heat, too.”
we’ll cease to select some veggies
for the massive feast at our pleasant desk
our desk
go the guitar and present me your work
catch me up on what i haven’t heard about your loved ones
your aunt patti
“Lemon Garland” could exist in a fairytale, but it surely’s the form of fantasy all of us want typically – a reminder of how lovely life may be when shared with others. “I do know that I need the music to really feel good and hit someplace emotional and actual,” plum displays. “If a track helps somebody articulate one thing they didn’t have phrases for but, that’s form of the dream.” runo plum has crafted a track filled with coronary heart, magic, and which means: A comfortable, beautiful ode to presence, companionship, and care. As she sings about firm and quilts, backyard feasts and muddy toes, we’re invited to pause and picture that world for ourselves – or possibly even create it. With a gilded hue and mild stride, this track glows from the within out.
cuddle the quilt that your grandma made
mattress on the ground for a film day
we’re sipping espresso from handmade mugs
give me firm
then give me extra
give me extra
“Ain’t Fairly Proper”
by Nonetheless Clean
Suntil Clean’s “Ain’t Fairly Proper” is an unsettling, unrelenting thrill – a fever dream of pressure and turmoil that builds and boils over, by no means letting up. Written in a stormy Manchester winter, the duo’s second-ever single channels darkness into a surprising, slow-burning different rock eruption: It’s uncooked, visceral, and deeply immersive, laced with dissonant guitars and stripped-back manufacturing that pulls you right into a fractured world of dysfunction and need. Jordy Fleming’s voice cuts by way of like smoke by way of fog – comfortable, however placing; heavy with ache, but seething with power. “I lay down, I watch her breathe / My mindless lamb of ecstasy,” she sings in a breathless whisper alongside bandmate Ben Kirkland’s wall of churning electrical guitars. “She would fall within the filth if she noticed me betray / So I’ll cowl my tracks and I’ll wash ’em away…”
I lay down, I watch her breathe
My mindless lamb of ecstasy
I’d peel your thoughts
And snatch all your desires
She would fall within the filth if she noticed me betray
So I’ll cowl my tracks and I’ll wash em away
Though It ain’t fairly proper
It ain’t fairly proper, you say
Aaah, ain’t fairly proper
Aaahh, ain’t fairly proper
The band name it “an edge-building track” – and you may really feel that pressure in your chest from the second it begins. “We wrote the track round Christmas in wet Manchester whereas listening to quite a lot of Sonic Youth and PJ Harvey,” Fleming tells Atwood Journal. “Normally, Ben leads the music and I work on lyrics and melody, however this one flipped. We needed it to really feel on edge – constructing pressure. The lyrics discover a dysfunctional relationship the place each side are suffocating, and neither can let go. The guitar nearly talks again to the vocal, responding with this jarring vitality that provides to the unease.”
That pressure is the track’s lifeblood: A brooding pulse that fuels each phrase and riff. “You chew my tongue, a palm to cheek / I choke your mind in bare sleep,” Fleming confesses. “Oh, it ain’t fairly proper / I do know it ain’t fairly proper.” These traces sting like wounds left open. Every verse drives deeper into that darkish, co-dependent dynamic – one which feeds on ardour and ache in equal measure.
You chew my tongue, a palm to cheek
I choke your mind in bare sleep
Oh it ain’t fairly proper
I do know It ain’t fairly proper
Within the burning silence, peel my eyelids
Slam the door I’m locked exterior
However in a minute you’ll say don’t ever depart me alone
Ain’t fairly proper…
Nonetheless Clean are a research in distinction. Fleming, from Kauai, Hawai’i, and Kirkland, from Manchester, UK, met in Liverpool and bonded over a shared need to discover and stretch sound. “I feel the explanation the music sounds the way in which it does is due to our vastly completely different experiences rising up, but we someway nonetheless had comparable crossovers,” Fleming shares.
The band’s sound lives in an area between genres – pulling from shoegaze, grunge, and minimalist people to create one thing wholly their very own. This June’s debut single “What About Jane” launched Nonetheless Clean’s artistry by way of a mirrored image on identification and notion. “Over the span of our album, there’s undoubtedly quite a lot of genres and sonic moods,” they word. “‘What About Jane’ is sort of just like the central heartbeat track that reveals parts from completely different sides of the document and ties all of them collectively.” However it’s “Ain’t Fairly Proper” that dives deepest into the darkness.
“Scripting this track took quite a bit out of us and was emotionally draining,” the band admit. “We realized that with a purpose to convey that pressure, we needed to go there ourselves, which was finally fairly taxing. We hope listeners can choose up on that and be taken someplace comparable.”
“Ain’t Fairly Proper” is the storm cloud to their debut’s looking out skies – a sonic distinction that affirms their need to stay fluid and ever-evolving. “I feel that this track reveals one finish of the spectrum of who Nonetheless Clean is. We would like the music we make to have many various faces, quite than stagnate in a single expression,” they share. “Tasks which are considerably fluid and capable of discover completely different genres, moods, instrumentation and subjects inside their music are essentially the most attention-grabbing and galvanizing to us. This track is one face, and the following monitor can have a brand new one.”
Storm out of the automobile and into the kitchen
China flies towards an image
Eyes on hearth, phrases spewing hand grenades
Attain for the knife, go and take my head
However it’s not my life as your breast turns pink
And now you ain’t fairly proper
Oh It ain’t proper
That inventive elasticity is what makes Nonetheless Clean such an thrilling artist to observe. There’s even a second model of the track – “Ain’t Fairly Proper (Unresolved)” – created in collaboration with legendary producer Flood. “He has unlocked a darkness within the track we didn’t know existed,” Nonetheless Clean say. That model leans even additional into dissonance and despair, discovering magnificence within the discomfort.
With solely two songs launched up to now and extra on the way in which, Nonetheless Clean are already staking their place as one of the crucial dynamic, enigmatic new voices in different music. “Ain’t Fairly Proper” is chaotic, cathartic, and utterly consuming – a soundtrack to the storm inside us all.
“Ain’t Fairly Proper” doesn’t simply simmer – it scorches. It’s haunting and harrowing, hypnotic and human: A fearless emotional purge that leaves you uncooked and breathless, but someway wanting extra.
Aaahhh, I realize it ain’t fairly proper
Oh it ain’t proper
Aaaahhh you realize it ain’t fairly proper
Oh it ain’t proper
It ain’t proper
— — — —
Hook up with us on
Fb, Twitter, Instagram
Uncover new music on Atwood Journal
comply with EDITOR’S PICKS on Spotify
