The ultimate of this 12 months’s Eurovision Tune Contest in Basel, Switzerland, was as soon as once more a vibrant mixture of dance anthems, highly effective ballads, and a unusual assortment of novelty pop from throughout Europe. As we approached the 2025 competitors, I discovered myself and not using a clear favorite, which was a change from earlier years. The ultimate felt like an open taking part in discipline, the place I sensed the strongest efficiency of the night time would finally take house the prize. Thus eclipsing all of the pre-event hype and betting odds. Regardless of how the outcomes performed out, I all the time stay up for sharing my private highlights from this unimaginable annual worldwide televised tune competitors.
“Lighter” by Kyle Alessandro (Norway)
Photograph by Thor Håkan Ulstad
What an intense expertise for a nineteen-year-old! Kyle Alessandro, representing Norway, stepped onto the stage because the opening act of the ESC grand remaining—making historical past because the youngest artist ever to characterize the nation. His tune, “Lighter,” is an electrifying, anthemic electro-pop gem. Although sung with spectacular confidence, the monitor itself lacked distinct originality and memorability. But, the extraordinary staging greater than compensated for these shortcomings. A solitary flickering flame ignited into a panoramic show, engulfing the stage in a fiery ring, simulating a wildfire that quickly unfold round Kyle and his gifted dancers. This dramatic visible made for a very spectacular kickoff to the present.
Early efficiency slots are notoriously robust in the case of leaving a long-lasting affect on voters and the viewers, and it’s an actual disappointment that “Lighter” didn’t obtain the popularity it deserved within the voting. Nonetheless, Kyle executed his efficiency with ability and charisma, and I’m genuinely excited to see the place his post-Eurovision journey takes him.
“Serving” by Miriana Conte (Malta)
From the very starting, Maltese artist Miriana Conte made her intentions unmistakably clear: she got here to Eurovision to slay! With audacity and aptitude, she unleashed her cheeky anthem, the irresistibly iconic “Serving“. All through the Eurovision journey, this monitor rapidly captured the hearts of followers, rising as a standout favorite. Miriana’s technique of pushing boundaries and leaving little to the creativeness was virtually flawless—till the EBU intervened, insisting on a minor however important lyric change. However this diva was unshaken. Her boundless charisma teamed with placing visible parts ensured that the essence of “Serving” remained intact. No doubt, Miriana has caught the eye of the RuPaul Drag Race fandom. (Presumably a part of a grander scheme she envisaged). Miriana for Mighty Hoopla 2026? It’s not only a chance; it’s a foregone inevitability, I really feel!
“Wasted Love” by JJ (Austria)
Photograph by Pavla Hartmanová
On sheer vocal mastery alone, the Austrian singer-songwriter JJ (aka Johannes Pietsch) clearly stood out among the many Eurovision rivals.
His popopera type isn’t solely highly effective but in addition refreshingly distinctive. Seamlessly transitioning between pop and opera, JJ makes it seem easy. His efficiency of “Wasted Love” was nothing wanting breathtaking. The placing distinction and his achieved falsetto actually take your breath away; it’s a masterclass in vocal excellence. This was solely heightened by the dramatic monochrome staging, which added an additional layer of affect. For my part, nobody can rival the extraordinary vocal prowess that JJ shows. I discovered my winner on this efficiency, and it appears Europe agreed, voting JJ because the champion of Eurovision 2025. Even after the victory was sealed, his winners efficiency remained astonishing. Deeply emotional, JJ delivered one more spellbinding present, that includes his mesmerising falsetto. This was definitive proof that Europe made the fitting selection.
“Hallucination” by Sissal (Denmark)
Denmark actually introduced their A-game by sending Sissal to Eurovision in Basel, and I imagine she was undeniably the standout feminine vocalist of the occasion. It’s completely perplexing why the Eurovision viewers missed “Hallucination.” I merely can not fathom the general public’s judgment of this unimaginable monitor and efficiency. The placing similarities to Loreen‘s music had been inconceivable to overlook. And you’d suppose that the Eurovision viewers would rally behind Sissal’s banger due to that. However for causes I can’t perceive, Europe didn’t embrace the concept of somebody delivering such a implausible homage to Loreen (maybe they only have a desire for the unique). This sentiment was painfully clear within the lack of assist for this uplifting pop anthem, as Sissal’s mesmerising efficiency was shamefully ignored. It’s disheartening to see Eurovision be so harsh to you, Sissal. Simply know that EQ Music Weblog stands by you. You might be an absolute pop queen!
“Survivor” by PARG (Armenia)
This 12 months’s Eurovision Tune Contest in Basel, Switzerland, overflowed with highly effective anthems, however none captured consideration fairly just like the Armenian consultant, PARG. This outstanding monitor “Survivor” is a stirring declaration of power and resilience, seamlessly mixing with PARG’s distinctive pop-rock vocal type. From the very first word, this commanding efficiency pierced by means of the dazzling show of vibrant lights and swirling smoke, making certain PARG remained the centre of consideration. It was a mesmerising journey from begin to end, solidifying PARG’s standing as a standout contender on this competitors. For anybody in search of an artist who embodies the identical magnetic charisma as Måneskin’s Damiano David, look no additional than PARG—an unforgettable musical pressure destined for greatness.
This was an absolute blast! Be sure you mark your calendars for the center of Might 2026. Let’s come collectively once more to dive into one other thrilling Eurovision recap from the Grand Remaining in Austria subsequent 12 months.
