Tuesday, March 18, 2025
HomeIndie MusicFunction: Bathe Alone Channels Grief into Musical Magnificence on ‘I Do not...

Function: Bathe Alone Channels Grief into Musical Magnificence on ‘I Do not Do Humidity’


Bathe Alone’s Bailey Crone takes us track-by-track by way of her intimately enchanting third album ‘I Don’t Do Humidity,’ a deeply susceptible file that finds the Atlanta-based artist channeling grief and trauma into dreamy, daring, and achingly lovely indie pop music.
Stream: “Victims” – Bathe Alone


It may take a day typically to wrap your head round a smile. You assume it’s me, I feel you’re in denial…

Bathe Alone’s Bailey Crone opens her third album I Don’t Do Humidity with a deceptively harmless query.

Is there anybody round who can dance in your rain?” she sings on “Lake Sympathy,” her delicate voice shining shiny in opposition to a heat backdrop of acoustic guitar riffs and shimmering keyboard chords. On the floor, her phrases function a provocative, poetic introduction to her newest endeavor; dig slightly deeper, and heaps of emotional turmoil and internal rigidity add contemporary depth and coloration to that listening expertise, as we acknowledge Crone’s lyrics for what they’re: The start of a much-needed boundary between herself and a poisonous relationship.

Endings – nevertheless essential they could be to our long-term well being and wellness – are by no means simple, and Bathe Alone’s newest LP is the product of a number of endings that every one culminated across the similar time for the Atlanta, Georgia-based artist. Fueled by grief but energetic, its songs are poignant, passionate, and potent – stuffed to the brim with visceral vitality, soul-stirring emotion, and an undeniably uncooked humanity that strikes the ears and the guts.

I Don’t Do Humidity (Deluxe) – Bathe Alone
First step: flattery
(You two are excellent, you two are beautiful)
And I want I may get Tyler
To be that good to me
Second step: isolation
(Are you simply comfy or are you cheerful?)
‘Trigger I do know what I’m with Tyler
And I wanna plant the seed
I have to be saved
You can be my savior
We may misbehave
Whereas she’s in Decatur
You can be my taste of the day
In order for you, babe
You can fill it up, babe
Take a look at what we turned
We’re victims, child
– “Victims,” Bathe Alone

Initially launched June 7th, 2024 through Nettwerk Music Group, I Don’t Do Humidity is as heat and wondrous as it’s brutally trustworthy, achingly lovely, and completely gut-wrenching; a mild big of dreamy, emotionally turbulent indie pop music channeled by way of singer/songwriter and multi-instrumentalist Bailey Crone’s singular, stunningly intimate gaze. The album’s deluxe model, which provides two model new songs and an alternate model of “Name Me Again” to the tracklist, is out now as nicely.

For followers of Bathe Alone’s final effort – the pseudo-sophomore album, two-EP assortment Fall With the Lights Down (launched in full final August), the arrival of I Don’t Do Humidity this summer season would have come as a (welcome) shock, given the comparatively quick turnaround between the 2 information.

Atwood Journal beforehand hailed Fall With the Lights Down as a “breathtakingly intimate and spiritually energizing” expertise, praising Bathe Alone for her music’s sense of wonderment and nostalgia and for a way her lyrics delved headfirst into reminiscence and connections previous and current, leading to an “achingly human file plunging into the artist’s very personal historical past.”

“A group of recollections”: ‘Fall With the Lights Down’ Is Bathe Alone’s Nostalgic & Dreamy Reverie

:: FEATURE ::

Bathe Alone’s third LP sees Crone as soon as once more carefully collaborating with longtime producer Damon Moon (Curtis Harding, Lunar Trip), who’s been along with her since her venture’s debut in 2021. The worlds they’ve created this time round are directly essentially the most cinematic, refined, immersive, and expansive we’ve ever heard from Bathe Alone – a set of qualities that makes for an particularly transferring viewers expertise because the artist wears her fractured coronary heart and heavy soul on her sleeves.

“Trying again now, the overarching theme of this album is coping with the grief of a failing friendship, and the traumatic ending of a wedding,” Crone tells Atwood Journal. “It was the top of one thing dangerous, and the beginning of one thing dangerous, too, all contained in slightly time capsule of an album. Once I began writing songs for this file, I used to be in a extremely poisonous friendship with somebody. It was weighing me down, and the songs had been actually flowing in actual time as I used to be processing my choice to finish the friendship. For me, I feel I internalize numerous feelings. I’m a bottler. However I’ve discovered that writing is such a wholesome launch for me, so externalizing my ideas into songs has at all times felt like a diary entry. It may assist me see readability typically, and it’s simply good to blow steam different instances.”

“However then unexpectedly, my marriage fell aside, and a divorce got here out of nowhere. My focus sharply shifted on this new heightened state of emergency. So, you’ll be able to wager that from then on, that was the one factor I may write about. Total, that pivot cut-off date from letting go of somebody, to desperately holding onto another person, is what I consider once I take into consideration this file.”

“There’s a little bit of duality on this album, each within the messaging and the sonics,” she continues. “The songs in regards to the friendship type of really feel like working away, or fading away, and the songs about divorce aren’t passive in any respect. They’re indignant and pointed. I’ve by no means skilled combat or flight like that earlier than. At first of the writing course of, I used to be very a lot writing from a spot of reflection. I felt like I used to be prepared to maneuver on and to set a boundary, and it was a managed atmosphere. It was very a lot my selection. I assumed your entire file was going to be about that, to be trustworthy. However as soon as the divorce occurred, I puzzled if that was destiny laughing in my face.”

Bathe Alone © Lindsay Thomaston
Bathe Alone © Lindsay Thomaston

Crone candidly describes I Don’t Do Humidity as indignant, longing, and annoyed. Not solely is that this file a transparent emotional shift from the matters and themes of her final file (2023’s Fall With the Lights Down), nevertheless it’s additionally a musical evolution for Bathe Alone’s artistry – which, whereas remaining unflinchingly intimate and unapologetically susceptible, is melodically richer, bolder, and extra cinematic than ever earlier than.

“There was numerous change and development as a songwriter, as I went into survival mode processing my life,” Crone says, reflecting on the house (or the dearth thereof) between the 2 information. “I feel there’s an inherent evolution that occurred. There was positively overlap within the making of those information although. When Fall With the Lights Down was completed, songs like ‘Gemini,’ ‘4ever,’ and ‘Caramelize’ had already been written and demo’d out. I feel you’ll be able to inform they’re virtually transition songs sonically, like they may go on both file. The overlap was inevitable although, as I deal with songwriting like a relentless in my life. It’s like my diary in spite of everything.”

“I feel that artistically, this file has actually stretched into territories I haven’t explored earlier than. I feel that the key life occasions that formed the writing additionally pushed me into new locations, sonically. My writing has at all times been about issues I’m scuffling with, and I feel it type of feels like these issues too. Fall With the Lights Down was largely about loss of life, existentialism, and nostalgia, and the songs sonically come from the identical material as these feelings to me. There will not be a way of urgency, however reasonably a give attention to temper and settling right into a world with objective. It’s a way more managed atmosphere. Nothing is on fireplace, so to say.”

I Don’t Do Humidity is all anger, frustration, disorientation, and betrayal, and these songs sonically have that undertone too. However extra within the directness of all of it. It’s like somebody gave me a shot of adrenaline. I discovered I used to be in a position to push myself as a songwriter in methods I’ve by no means finished earlier than. I feel you’ll be able to hear a transparent distinction within the urgency of I Don’t Do Humidity in comparison with Fall With the Lights Down, and particularly within the divorce songs.”

Bathe Alone © Lindsay Thomaston
Bathe Alone © Lindsay Thomaston

The title I Don’t Do Humidity is each a colourful, emotionally-charged metaphor (considered one of a number of all through these songs) in addition to an earnest statement-of-fact.

“In my writing, I discovered that I stored evaluating this pal of mine to water, in a adverse method. It lyrically felt like an incredible synonym for somebody’s darkness, or their burdens, or fixed want for pity or sympathy and such,” Crone says of the title. “It was one thing I felt like weighed me down, and it made me really feel uncomfortable and resentful. The factor was, that even once they weren’t round, I nonetheless felt this fashion. It lingered, and I carried it round with me like lifeless weight.”

“Being born and raised in Georgia, individuals at all times discuss in regards to the humidity right here. It’s one thing I by no means actually understood till I went someplace like Colorado, and unexpectedly, the air was dry, and my hair’s wavy curls straightened, and respiratory was much less… soupy. I had no concept that it felt so liberating to really feel fully dry, and to really feel lighter, much less sticky, much less weighed down by a dampness you’ll be able to’t escape. I a lot choose it. Within the music ‘Lake Sympathy,’ I say the title of the file. That’s me saying I didn’t need to really feel this fashion anymore. I used to be finished dwelling in emotional humidity.”

Is there anybody round
Who can dance in your rain?
‘Trigger I don’t do humidity
Underestimate your wants
Suppose I ought to go away it like that
‘Trigger I can’t be unhappy once more
Developing on sorry city
In your left you’ll see Lake Sympathy
It’s an indication that claims “No fishing”
For pity, our honest apologies


Highlights abound on the enchanting, emotional rollercoaster of a journey from album opener “Lake Sympathy” to the unique album’s finale “Dreamboy” and the deluxe version’s nearer, “Name Me Again (Fan Model).” Moody, brooding eruptions like “Archive 81” and “Blame Me” – each of which convey intensely intimate feelings by way of two deeply distinctive musical tapestries – are instantaneous standouts on the file, as is the softly seductive dance-pop reverie “Victims,” the spellbinding “$35 Copay,” the delicately craving “Name Me Again,” and the deluxe model’s additions “The Avenues” – an particularly painful confrontation along with her now-ex companion that aches in and out – and “W/O Your Rain.”

“‘The Avenues’ was written across the similar time as ‘Victims’ and ‘Blame Me,’ so to me it comes from the identical type of place within the grieving course of – it was a extremely indignant time,” Crone explains. “The moments I used to be writing about had been those that proved all my suspicions to be true. I felt validated, and scripting this music was positively me attending to that place. Initially this music felt slightly too near me to incorporate on the file, however now it feels prefer it’s time to let this one go free.”


Bathe Alone © Lindsay Thomaston
Bathe Alone © Lindsay Thomaston

“‘Dreamboy’ might be my favourite music on the file, proper now,” Crone smiles. “This music was a threat in so some ways. It was the one music that was on the entire file that I didn’t demo out at house earlier than bringing into the studio, both. It was on-the-spot studio magic. Folks don’t know this, however I’m gonna go forward and say it: The lyrics are a bunch of music titles. Some are launched and a few aren’t. I’m excited to maintain the method going and be taught extra about what this interval means for me. I really feel like life occasions are solely overlapping and interweaving. Similar with internally processing these occasions afterwards. There isn’t a cease, begin. Life is multitasking. It’s coping with the ending of a wedding, and taking your cat to the vet, and burying a grandparent, and needing to do your laundry.”

“However moments in time are all related to 1 one other, so you’ll be able to actually see so many various through-lines relying on the place you place your bookmarks. I don’t assume ‘Dreamboy’ being the final music means that is the top of something, or that I’ve tied slightly bow on this stage of grief. I’m unsure how lengthy this era in time goes to interweave itself into the following, or if I’ll ever discover a place to mark as the top of this chapter. However ‘Dreamboy’ isn’t attempting to try this, in any case. It’s not a end line to cross. I want processing grief was that straightforward.”


Bathe Alone © Lindsay Thomaston
Bathe Alone © Lindsay Thomaston

This album’s lyrics are additionally particularly essential to Crone, who feels she got here into herself as a lyricist whereas writing these songs.

“Previously, my purpose was temper first, and I didn’t take into account myself lyrically ahead as an artist,” she admits. “In reality, I hid numerous my feelings behind the anomaly of my early writing. I cherished the sensation of being hidden in plain sight. Loads has modified, and on this album, lyrics are not secondary to temper. There may be a lot to say, and I virtually need to scream it from a mountaintop. I need to lay all of it on the market and get it off my chest. I need to unburden myself, I don’t need the emotional humidity anymore. I need to make artwork out of this and are available out stronger and empowered.”

“So far as favourite lyrics, I really feel like ‘Victims’ pulls off one thing that was actually difficult, songwriting-wise. That was essentially the most clear I had ever been too. It was scary. However once more, I felt lighter. After writing these lyrics, it was proof of idea to myself that the extra susceptible I’m, and the extra uncomfortable I’m when telling my story, the higher.”

Third step: the crying
(I’m within the parking zone, can you discover me)

And I don’t assume I really like Tyler
Trigger it feels routine
And I’ve been by way of rather a lot
And you’re all I’ve obtained
You’re making it really easy
Fourth step: you and me
I have to be saved
You can be my savior
We may misbehave
Whereas she’s in Decatur
You can be my taste of the day
In order for you babe
You can fill it up babe
Take a look at what we turned
We’re the victims child
Bathe Alone © Lindsay Thomaston
Bathe Alone © Lindsay Thomaston

In the end, I Don’t Do Humidity stands to remind all of us – Crone included – that grief, nevertheless painful, can nonetheless trigger moments of magnificence, catharsis, and connection.

Bathe Alone’s newest album aches relentlessly and unapologetically the entire method by way of, all of the whereas lighting a hearth in its listeners that’s positive to burn daring and shiny as we take inspiration, vitality, uncooked emotion, motion, and extra from these songs.

“It’s actually for listeners to take nevertheless they need, as a result of that’s absolutely the level of artwork,” Crone shares. “My a part of all of it solely goes to date. The magic of listening to music is what occurs subsequent. And that’s out of my management, and I adore it. You’d assume that I’d take away a way of closure after making this album. In any case, I hold calling it ‘my divorce file.’ That makes it sound prefer it’s all there for the taking – I squeezed all of the juice from that lemon and left nothing left on the desk, and now I get to compartmentalize it and put all of it in a field and transfer on.”

“It’s actually not like that. I used to be kinda hoping it’d be like that to start with, however I’ve realized that is going to be a for much longer journey than I anticipated. However songwriting is a good instrument by my facet to assist me get these emotions out, and I’m solely feeling increasingly nourished the extra I do it.”

Expertise the complete file through our under stream, and peek inside Bathe Alone’s I Don’t Do Humidity with Atwood Journal as Bailey Crone takes us track-by-track by way of the music and lyrics of her deluxe album!

— —

:: stream/buy I Don’t Do Humidity (Deluxe) right here ::
:: join with Bathe Alone right here ::

— —

Stream: ‘I Don’t Do Humidity (Deluxe)’ – Bathe Alone

:: Inside I Don’t Do Humidity (Deluxe) ::

I Don't Do Humidity (Deluxe) - Bathe Alone

— —

Lake Sympathy

Enjoyable Truth: This one was impressed by Bombay Bicycle Membership’s “Rinse Me Down,” who we simply performed a present with and performed this as our opening music… so we obtained to play our Bombay music at a Bombay present? How cool is that!? My first tattoo ever was a Bombay tattoo as nicely, devoted to their music “Lights Out, Phrases Gone.” So, “Lake Sympathy” will eternally maintain a particular place in my coronary heart due to how full circle it’s come for me as a musician. This music was one of many first items I wrote for the file that used water as a metaphor for a poisonous friendship. Each can really feel heavy and weigh you down. The title of the entire file comes from a lyric on this music, too. Additionally, there isn’t any Lake Sympathy in actual life. I checked on Google Earth.

$35 Copay

I went by way of a part the place I used to be shopping for child synths on-line. Like, for precise toddlers. One of many ones I purchased was a Casio SA76, which like all child synths, is stuffed with these rinky-dinky tones. However I really like how unconventional it’s to construct one thing grand out of one thing reasonably minimalist. In any case, this music sounds large to me. Damon and I at all times joke that that is the music we’d play at Coachella. Nevertheless it’s loopy to me that the music itself is only a bunch of cute little boops and bops from a toy piano often within the palms of a 4 yr previous. This music is a testomony to myself that gear doesn’t matter, songwriting does.

Caramelize

The factor I consider everytime I hear this music is that snare. I’m taken again to once I was dwelling with my ex in a home the place household buddies had been staying over, and so they had a child. I actually needed to trace this new snare I obtained, so I used brushes as a substitute of a stick. That’s me attempting to not get up a child. The music has this delicateness to me that not one of the others have. It maintains a type of quietness all through till the top. I really like you could’t actually inform when it will get large both. Impulsively you sorta understand that you just’re simply surrounded. However the journey to get there was so refined and brewing. To me, at the very least. Possibly the newborn didn’t assume so.

Gemini

This one was written earlier than my divorce was even a thought. It might even be the oldest music on the file. This or “4ever” is. I can’t keep in mind. It appears like so way back, and it really was a unique “me” that wrote this music. I had an entire completely different life with an entire completely different set of issues earlier than the divorce. I used to be writing about psychological well being and existential matters again then. I keep in mind discovering this actually fascinating voicing within the bass, the place I maintain out a flat three within the refrain. The entire time that notice occurs, I simply really feel “off.” It’s out of key. It’s technically “improper.” It desperately asks to go someplace, to be resolved. Which, I do resolve it up again to a standard three. This tangent has a degree, I promise. I stored imagining in my head, holding out that flat three for eternally. Like, think about being trapped in a world the place that notice by no means will get resolved. To me, that’s what melancholy appears like. One thing is simply improper. One thing is simply “off.” And melancholy might be onerous as a result of it doesn’t really feel like there’s a method out typically. I feel music finds methods to elucidate emotions higher than phrases. That flat three is so tactile to me. In any case, the opposite cool factor that occurred on this music is the truth that, after my divorce, your entire narrative flipped for me. I used to be completely singing about my very own melancholy again then, however now I can’t assist however see that I’m singing about my companion’s melancholy, the Gemini I used to be strolling hand in hand with.

Concern All the things

That is truly the primary music on the tracklist that addresses the divorce. Which, I had a tough time deciding unveil all of it throughout the context of an album. In any case, there have been so many feelings taking place unexpectedly, some exact opposite of others, that it turned unattainable to determine which one I used to be truly feeling. I’m not even satisfied that that is the suitable music to be listening to right here, to begin altering the topic from poisonous friendships to BAM, a divorce. That’s what this feels wish to me in context of the earlier songs. It comes out of nowhere. However, that’s truly what it was like in actual life, too. Life imitates artwork, I assume. Or is it the opposite method round? The music itself, although, is a sister-song to “Name Me Again.” They had been written in all probability days aside. I used to be having enjoyable with this squiggly acoustic tone and minimalist drum machines. The 2 songs come from the identical second in time to me. However that’s precisely what I imply about not having the ability to work out how I’m feeling. “Name Me Again” is so longing. And this one is so blaming, pushing away, and resentful.

Archive 81

I had simply separated. I needed to discover new normals and face the truth that this was truly taking place. You’d assume that I’d be ruminating on the drama and the trauma, however truly, within the stillness of my new atmosphere, I discovered myself lacking the mundane issues. There’s a sense of security that comes with familiarity and routines. The final TV present we had been watching collectively was Archive 81. I needed to return to the best way issues had been earlier than and do the issues the best way I did them earlier than, together with ending this silly TV present. It’s not silly, however I do assume eager for ending a TV present with my companion over addressing the basis downside with my companion is foolish. Or perhaps, it’s simply human.

Blame Me

This one is a doozy. A part of me needed to avoid wasting face and write extra songs like Archive 81, the place it’s introspective and hardly airs soiled laundry. However some issues had been revealed shortly after the separation that I truly knew had been true all alongside. It had me reflecting on an evening in my marriage the place I confronted my companion about my suspicions of infidelity. I felt gaslit into believing in any other case. The confrontation escalated, and my companion stormed out and drove off. I reached out for assist from his step-mom. I had by no means been extra scared to inform somebody my story, however she knew him, she was a mutual occasion, I knew it was a protected house. So I spilled the beans. I instructed her every part. And he or she fully validated my emotions. She instructed me, “There’s no room for 3 in a wedding.” Which, she was referencing a Princess Diana quote. It was so potent, it caught with me. Once I subconsciously sang the primary lyric of the music, “Ain’t no room for 3” got here proper out. I assumed, “I assume we’re writing about this then.”

Victims

In the identical vein as “Blame Me,” I used to be discovering help in my buddies through the chaos, and after explaining the state of affairs of my companion and this different lady to them, it was truly Damon who stated the following factor that actually caught with me. He stated, “That’s manipulation 101.” It was so blatantly apparent to him, and I hadn’t seen it in any respect. I used to be so used to giving individuals the advantage of the doubt and making up excuses for his or her actions, that it didn’t even cross my thoughts that somebody may simply have dangerous intentions. One other factor that my companion’s step-mom instructed me on the night time of the “Blame Me” incident was, “That lady is aware of precisely what she’s doing.” It was the mix of that, and what Damon stated that lit the lightbulb in my head — I used to be going to jot down a music as the opposite lady. However make it virtually comically apparent that she’s simply obtained a step-by-step information on steal your man. There are actual steps to manipulation. After wanting them up I used to be dumbfounded by how precisely it mirrored my very own expertise again at me. The entire auto-tuned vocals within the music are actual issues she stated. It’s all embarrassingly actual. Scripting this music was such remedy for me, as I used to be in a position to see the way it all occurred so simply.

Contemporary Begin

So a lot of my buddies seen one thing about me whereas I used to be going by way of my divorce. Somebody stated “you’re so stoic.” Another person stated “you’re dealing with it very nicely, I’d have by no means been in a position to inform.” In a method, I used to be shocked to listen to I got here off this fashion, based mostly on how I felt on the within. I attempted to explain the best way I felt to them like this: Think about you’re in a horrible automotive accident. You look over within the passenger seat and see your husband is lifeless. What are you going to do? Are you going to cry and grieve? Or are you going to look within the again seat to ensure your children are okay… That’s what this all felt like: survival. There was no time to close down due to all of the logistics I wanted to type out first. Coping mechanisms can provide you actual superpowers… This music begins off with me not having the ability to inform if I felt any ache. Nonetheless, I contradict myself in later lyrics by acknowledging the ache. So, in contrast to my buddies, I didn’t fairly idiot myself. I used to be in a position to see some cracks in my superpower.

4ever

Like I stated, I don’t keep in mind if this or “Gemini” was the true firstborn of the file. This music is so existential, and kinda darkish. I had no thought on the time of writing it that it’d be a beautiful palate cleanser from my very own tumultuous story.

Name Me Again

I discussed earlier I used to be having a tough time determining unveil my divorce story throughout the context of my very own album. I didn’t put them in chronological order of how the occasions unfolded. Or chronological order of the dates I wrote them, or something like that. In any case, numerous this occurred so rapidly it appears like a blur. And I didn’t expertise one feeling and recover from it and expertise the following. The levels of grief weren’t linear for me. I’d bounce from melancholy, to anger, to denial, again to anger. Who is aware of what emotion really got here first. However I do know that discovering out my suspicions, after the very fact, had been proper, performed a definite position in beginning the journey to acceptance. Which can also be a stage of grief and I didn’t imply to try this. We didn’t fairly get there to that stage on this album. Really not even shut. However “Name Me Again” appears like a greater technique to go away issues off. Taking it again to the sensation of longing, as a substitute of anger. I wasn’t attempting to shut doorways with this album. This was the unique final music of the album too. Oh what a beautiful ending it may have had…

Dreamboy

Damon instructed me to jot down yet another music and “make it brutal.” That is my favourite music on your entire file. It’s blunt and unambiguous. This is likely one of the ones the place I feel music might be extra descriptive in a sense than phrases can proper now. The screaming guitars on the finish are so emotive to me, it feels like a disaster. This music is like being curled up within the fetal place, in the course of a room, crying your eyes out in essentially the most visceral method. However not even that, it doesn’t really feel just like the act of doing that itself. It feels just like the second you cease crying, and the room round you is… silent. No matter that second is, no matter that disconnect is from the emotive human within the center, to the stark stillness of the room, that’s what the music appears like because it cuts out on the finish. Is it loneliness? Vulnerability? I can’t determine it out, I’m not good at determining my emotions.

The Avenues

“The Avenues” was written across the similar time as “Victims” and “Blame Me,” so to me it comes from the identical type of place within the grieving course of – it was a extremely indignant time. The moments I used to be writing about had been those that proved all my suspicions to be true. I felt validated, and scripting this music was positively me attending to that place. Initially this music felt slightly too near me to incorporate on the file, however now it feels prefer it’s time to let this one go free.

W/O Your Rain

“W/O Your Rain” was purported to go on I Don’t Do Humidity, nevertheless it at all times felt like an outlier. Initially the association was a lot completely different, and the extra the album took form, the additional away this music felt. For the reason that album has been out, I made a decision to reapproach this one so I can put this in a field and compartmentalize it, together with all the opposite divorce songs, the place it belongs. This music was the primary one which I wrote that used the thought of water or humidity as a adverse factor – the album was named by actually having this music included, so it solely felt proper to tie the bow on it. Typically grief can really feel endless, and as advanced as it’s, coming to phrases with it may well really feel empowering, however hopeless on the similar time. This music is me taking again management over my very own grief.

Name Me Again (Fan Model)

Once I launched this music as a single, I assumed it might be enjoyable to arrange a hotline for individuals to name in and go away voicemails for individuals of their lives that they by no means obtained closure from. It was initially only a cool technique to interact with our followers, however as soon as we began listening to the voicemails, we had been blown away by how heartfelt and private the messages had been – and by the sheer variety of people who participated. It felt just like the music meant so many various issues to completely different individuals, so I needed to make a brand new model utilizing among the voicemails (with everybody’s consent, after all). All of the messages had been so particular, and I’ll always remember how connecting on this method with everybody felt.

— —

:: stream/buy I Don’t Do Humidity (Deluxe) right here ::
:: join with Bathe Alone right here ::

— — — —

I Don't Do Humidity - Bathe Alone

Connect with Bathe Alone on
Fb, Twitter, TikTok, Instagram
Uncover new music on Atwood Journal
? © Lindsay Thomaston

:: Stream Bathe Alone ::




RELATED ARTICLES

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Most Popular

Recent Comments