Intimate & Immersive: the 5 Senses. Abigail Richardson-Schulte, Bloom; *Tsz Lengthy (Fish) Yu, The Breath of Spring (world premiere); Linda Catlin Smith, Gold Leaf; Violeta Cruz, Vire Vole (*HPO Composer Fellow 2024-2025). Hamilton Philharmonic Orchestra, James S. Kahane, conductor; Josef Petric, accordion; projections by OPTIKS. February 27, 2025 at The Cotton Manufacturing facility, Hamilton, ON.
New music of any variety wants an introduction, and the appropriate setting. That’s what the Hamilton Philharmonic and Music Director James S. Kahane demonstrated with this system The 5 Senses.
The Hamilton Philharmonic’s Intimate & Immersive live performance collection showcases modern classical music in an atmospheric renovated Victorian industrial warehouse loft. With seating in three to 5 rows of chairs surrounding the orchestra on three sides, projections on a big display behind the musicians, and a bar within the nook, the live performance, and program, have been designed to supply an expertise past the music.
Judging from the big and appreciative crowd on Thursday night, it’s a mixture that’s working effectively.
First Half
HPO Composer-in-residence Abigail Richardson-Schulte acted as emcee for the night, alongside Music Director James S. Kahane. Richardson-Schulte’s personal work Bloom opened this system, and she or he associated the unbelievable story behind its inspiration. Abigail was born within the UK, and after a collection of ear infections, turned deaf as a younger youngster. Nevertheless, she was so adept at lip studying, and primarily faking it, that nobody was conscious till her household utilized to immigrate to Canada. The medical examination resulted of their utility being initially denied.
It sparked a battle to battle the choice, but in addition a revolution for Richardson-Schulte’s life. After consultations with a number of specialists, one lastly recommended that the dry air of Calgary, Alberta, the place her dad had a job supply, is likely to be good for her. Because it occurred, he was proper. Not lengthy after transferring there, her listening to started to revive itself.
The composition, a concerto that includes soloist Josef Petric on the accordion, is a type of retelling of that story in music, from the primary motion, the place the sounds are disjointed in what she calls an “uncomfortable match”, with keening strings that expressed her anxieties, by means of an emotional journey to the place she is at present. The third motion was notably affecting in its portrayal of a world opening up.
Richardson-Schulte’s music is melodic, and fairly efficient in conveying the emotional story. The mix of accordion and a largely string ensemble produced some attention-grabbing sounds. At occasions, the instrument has a pipe organ-like high quality.
The viewers was seated shut sufficient to listen to the motion of Petric’s keys, including to the impact.
The composer for the second piece, The Breath of Spring by HPO Composer Fellow for 2024-2025 Tsz Lengthy (Fish) Yu, was additionally available to speak about his work. Fish is an audio engineer in addition to a composer, and he provides electronics and synthesizer to the orchestral colors and textures.
Abigail talked about evaluating the composition with the HPO. “We mentioned sure, should you deal with the elecronics.”
His objective within the piece is to supply a soundscape of the transition from winter to spring, incorporating Toronto road sounds and different recordings that he mixes with the orchestra.
Kahane wore headphones for the piece, which, as he defined later, sounded out a click on monitor that enabled him to conduct each the orchestra in entrance of him and Fish, behind him.
The piece is rhythmic and textural, and primarily melodic. The electronics added an attention-grabbing sheen to the orchestral sounds with out taking away from both. It enhanced each the temper and the drama of the work. Yu’s piece has a cinematic type of sensibility, and the road noises beneath typically act as a type of narrative alongside the music.
With its power and dramatic aptitude, it was an viewers favorite and spotlight of the night.
Second Half
As Kahane defined throughout his introductory discuss, the composers and works of the primary half used acquainted sounds and idioms in buildings which may be modern, however nonetheless harken again to their origins. They sound like items with actions which have a type of trajectory from starting to finish. “It’s music that may be simply comprehensible,” he informed the viewers.
The second half, nevertheless, provided one thing totally different. “I’d say the second half is way more untouchable,” Kahane provided with a smile. He additionally identified that, whereas this system was initially designed across the concept of relating the 5 senses in varied methods, themes of loss and rebirth additionally emerged in all 4 of the items.
“I wish to give you a barely totally different expertise.”
The orchestra was enlarged with a piano and enhanced percussion for Linda Catlin Smith’s piece Gold Leaf. It’s a piece he likened to a type of portray utilizing music, the place some components have been thickly utilized, whereas others have been sparse. Smith’s piece is a sound portray of the leaves turning golden and orange and falling within the autumn.
It’s a composition that works with textures, tones, and hues moderately than melody. Percussive piano and different percussion devices added a shimmering impact over the orchestra. Kahane suggested the viewers to shut their eyes and easily let the sound wash over them, and that’s an acceptable method to expertise its gradual shifts in temper.
Colombian composer Violeta Cruz’s piece Vire Vole takes the wind as its inspiration — not solely as a power of nature, however as an idea, one thing that surrounds us, however which we don’t see.
Not surprisingly, woodwinds determine prominently within the piece, which additionally makes use of non-traditional strategies of sound making like tapping on the accordion, slapping knees, or just blowing by means of an instrument. The piece ebbs and flows in power in repeated patterns and lengthy held notes, emulating the gusts of wind.
Vire Vole captures the mercurial nature of the wind. In the direction of the tip, a number of musicians moved out of the centre of the world to music stands that had been arrange primarily within the viewers space. They performed bells and different percussion devices together with their normal violins and saxophones.
Over the course of the piece, the sounds advanced, modified, and moved round. Whereas not emotional in a romantic sense, it was actually moody and atmospheric. It was a fancy work, however it held collectively by means of the conviction of the musicians and Kahane’s path.
Last Ideas
General, Kahane and the HPO dealt with the numerous adjustments of color and temper over this system deftly. As a conductor, Kahane strikes a very good mixture of expressive management and strict tempo as the usually tough scores require it.
The pleasant and intimate ambiance labored effectively within the giant warehouse loft house, and acoustics have been clear (with an inclination in direction of the loud, particularly and understandably so should you have been seated shut).
The projected photos by OPTIKS have been, because the collective defined throughout intermission, created for the occasion, and have been being blended stay with the audio. The move of photos was attention-grabbing and expressive, and added to the feelings of the music because it was performed.
Music Director Kahane was an affable host, a pleasant mixture of personable and educated. He was obtainable to talk with viewers members throughout breaks, as have been Abigail Richardson-Schulte, Bloom, Tsz Lengthy (Fish) Yu, and a few of the musicians.
Even the extra esoteric music of the second half was effectively acquired by the blended viewers of younger and older, and the musicians acquired a effectively deserved ovation.
It’s a mannequin for showcasing new music that works.
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Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
