LA’s Vijunns shares new single, “Undone,” forward of recent LP, Collapse – IndiePulse Music Journal

August 12, 2025

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STREAM / VISUALIZER – “Undone” –
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Vijunns (pronounced “visions”) is the audio-visual challenge of LA-based music producer and artwork director Jeremy Raskin. Since 2018, Raskin has explored the terrain between ambient and techno, carving out an area past rave euphoria and the contemplative depths of electronica wealthy with lucid imagery and immersive storytelling.

Right this moment Vijunns shares new single “Undone,” from their forthcoming new LP, Collapse, which is out on Sept. 23. Raskin offers some context for the monitor:

“This monitor was one of many first sketches I created once I began writing for this file. The undertones of this music created the roadmap for writing what would change into Collapse. To me, ‘Undone’ is conceptually the anchor of this file.”

This unity of sound and idea reveals new territory for Raskin on Collapse, a self-described ‘soundtrack to the top of the world’ that explores the tensions defining our present socio-political epoch.

Raskin continues to develop his post-IDM palette with modular and 90s-era digital synthesis, lacing the sonics of his prior works with an undertone of darkness, which lends a weighty grit to his trademark sound. Fairly than take pleasure in IDM’s solipsistic introspection, he as an alternative applies its sharp edges and diffuse vapors to render a world in disarray.

Collapse unfurls cinematically, establishing an expansive, desolate area. On “Business,” sinuous chords shift and simmer whereas booming bass and insistent percussion apply the stress. “Undone” introduces mushy, tender our bodies; delicate melodies and mild timbres winding by means of the smash. “Tessellation” brings us someplace sacred and mythic, the place supernatural sounds and summary rhythms induce a way of transcendental objective.

In the end, Collapse arrives. Coronary heart rending, gut-wrenching, potent, and remaining. Because the credit roll, we’re handled to Auragraph’s remix of “Business,” the place the prolific darkwave mainstay morphs the unique right into a slab of club-ready breaks which maintains each ounce of the ambiance established over the course of the LP.

Raskin’s visible sensibility is an announcement inside itself. The art work provokes meditations on mass surveillance, emergent applied sciences, and the infinite suggestions loop of content material that primes a world teetering between a liberated, high-tech future and an alienated, inhuman dystopia.

Press photograph by Jay Martinovitch