TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t distinctive to TXT and I don’t imply to name them out particularly, nevertheless it’s consultant of selections the Okay-pop business is presently making. A lot effort appears to enter every little thing surrounding the music, even because the precise songs develop shorter and fewer developed. On this case, that effort contains music movies for every of the members’ solo tracks. In line with the truncated nature of the album, I’ll be writing mini critiques for every music because the movies are launched.
Other than Yeonjun and Beomgyu, we haven’t heard how every members’ solo work may sound on a promoted monitor. With Sunday Driver, Soobin has opted for straightforward listening. Due to this, I’m nonetheless not fairly positive how he sees himself as a soloist (or if he sees himself as a soloist in any respect). The music wafts by on nice vibes, from the light strum of guitar to the mushy sprinkle of atmospheric synth. Soobin’s ethereal tone compliments this sound, although every little thing right here is so light-weight that it nearly evaporates because it goes. It’s a delicate toe-tapper however doesn’t do a lot to seize me past that.
| Hooks | 8 |
| Manufacturing | 7 |
| Longevity | 7 |
| Bias | 7 |
| RATING | 7.25 |
Grade: C
