Australian-based producer Laeter immerses all through his new album dreaming of one thing good, the place ambient and digital textures span from sun-drenched serenity to rain-set introspection. An emotional, and at instances cinematic, sound totally consumes. With a mix of glimmering synths, ethereal introspection, and atmospheric depth, the album evokes the range of the pure world and interior landscapes in equal measure. From the tranquil heat of “he’s within the backyard” to the glacial pulse of “wanting into the sky, i see it,” Laeter crafts an immersive listening expertise that feels each deeply private and expansively atmospheric.
Conceptually, dreaming of one thing good presents a fragmented, deeply private reflection of Laeter’s evolving identification over practically a decade. The album serves as a sonic journal — disjointed, meandering, and emotionally uncooked in mirroring the unpredictable nature of reminiscence and self-perception. Via ambient textures and shifting moods, Laeter explores the imperfect strategy of self-discovery.
The album’s title monitor opens with serene entrancement, as twinkling keys move with a mellow spontaneity alongside ethereal wordless vocal backings. “it’s comforting to know” ensues with sustained keys that seize a equally enchanting lushness, significantly upon the two-minute flip’s understated serenity. Obscure burrowing-like results linger sporadically within the background. “he’s within the backyard” furthers that outdoors-y feeling, in each its namesake and bursting synth pads — resembling sunshine effervescence in its enveloping warmness.
The sunny skies of “he’s within the backyard” shifts seamlessly right into a rain-laden calmness with “raining outdoors,” the place fragmented synth illuminate alongside bubbly sound results and glitchy digital intrigue. Somber piano stylings inside “solely simply starting” proceed to traverse on this extra rainy-day, nocturnal realm — understated although superbly impactful. “drainage” looks like a cathartic end result of this mid-point part within the album, following the opening trio of tracks’ summer-y embrace with a moody, aquatic-friendly immersion.
One other spotlight, “wanting into the sky, i see it” achieves a wintry glow in its glimmering keys and regular synth pulsations — crafting a soundscape that reminds fondly of Boards of Canada’s Tomorrow’s Harvest. The following “you’ve come a good distance” invokes a cinematic mystique in its caressing strings, feeling Lynchian because the melodic traversal concludes with chilling sentiments.
The album concludes with two triumphant-sounding tracks in “up at mount lofty” and “giskard.” The previous travels on warming synth pad buzzing and an general spacious captivation, whereas “giskard” performs as a riveting finale in its hovering invigoration — intertwining blaring synth components with replications of strings and brass-like power. dreaming of one thing good is a persistently enveloping listening expertise from Laeter, whose capability to craft shifting soundscapes is on constant show all through these 11 memorable tracks.
