Lucie Glang’s “Underwater Skies” is a soul-soothing folk-pop reverie of presence, peace, and launch – a young and intimate escape into stillness, serenity, and sound.
Stream: “Underwater Skies” – Lucie Glang
Tright here’s a stillness that lives just under the floor – a sacred silence, untouched by noise or urgency. In that underwater quiet, the world slows down.
Worries float away. Breath turns into sacred. Time dissolves. That’s the world Lucie Glang invitations us into on “Underwater Skies” – a young, tranquil folk-pop reverie that calms the nerves, softens the soul, and provides refuge in sound. Anchored in light fingerpicked guitar, muted piano chords, and her aching, intimate vocals, Glang’s first single of the 12 months is an area of serenity and give up: A music that helps you float when every thing else feels prefer it’s sinking.
Maintain your breath and depend
Underwater Skies
Mumbled, blurry sounds
Carry your physique down
Toes fly over sand
Blue and peaceable cities
Think about what it’s like
To remain right here for a while
Breath out and don’t swim up
The blood pumps, altering tides
A corpse with you inside
The shivering sea round
Atwood Journal is proud to be premiering “Underwater Skies,” the superbly meditative and emotionally resonant new single from German singer/songwriter Lucie Glang. Out Might 22, 2025 through Nashville-based Tonetree, “Underwater Skies” arrives as the primary style of Glang’s upcoming sophomore EP (due in November), and her first musical launch of the 12 months.
Collaborating as soon as once more with Danish producer Martin Korsgaard (who labored on “Seagull” from her debut EP), Glang crafts an immersive, atmospheric soundscape that transports listeners deep right into a world of introspection, stillness, and breath.
Heat acoustic textures wrap round her delicate, aching voice as she sings of presence, launch, and delicate escape:
All the pieces now fades
Ideas let go of you
All the pieces’s been stated
The present takes you far
Float away my expensive
Depart it because it was
Think about what it’s like
To remain right here for a while
Breath out and don’t swim up
The blood pumps, altering tides
A corpse with you inside
The shivering sea round
It’s a panoramic stability of magnificence and vulnerability – a music that shimmers with cinematic people tones whereas lyrically evoking the disorienting but soothing expertise of being submerged. Written as a type of self-soothing throughout a time of emotional overwhelm, “Underwater Skies” is as a lot a balm for Glang as it’s for her listeners.
“I wrote ‘Underwater Skies’ throughout a month the place I dedicated to writing and recording a brand new thought day by day,” Glang tells Atwood Journal. “This music got here out of a day the place I felt utterly overwhelmed and I attempted to calm myself down by describing what it will really feel like to simply float away. I’ve all the time cherished being underwater, being totally current and letting go of every thing pulling me out of the second. The music mimics that feeling, the place ideas blur and your physique merely exists. I needed to create a protected sonic house to show to in moments of panic. The choir on the finish turns into a mild get up name, returning to the floor after drifting into stillness.”
The music’s soundscape mirrors that intention: Delicate ambient textures, faint water sounds, and naturalistic synths give the observe a dreamy weightlessness. Its centerpiece – a choral swell created from over 50 layered voices – gently lifts the listener, like air filling lungs after a deep breath held too lengthy. It’s not simply catharsis; it’s rebirth.
There’s additionally one thing cinematic in the best way Glang builds emotion with restraint, selecting calm over crescendo. Her voice – delicate but stuffed with feeling – carries each observe with grace and care. “Float away, my expensive / Depart it because it was,” she sings. In these phrases, there’s a quiet knowledge: A willingness to let go of management, to be carried by the present as a substitute of swimming in opposition to it.
“Underwater Skies” follows Glang’s debut EP The Sport (2024) and a string of editorial recognition, with reward from retailers like Sounds on the Sofa and Ear to the Floor Music calling her “spellbinding,” “intimate,” and “exceptional.” Her folk-pop songs mix Nordic affect and private storytelling, drawing comparisons to artists like First Support Equipment, Fleet Foxes, and early Joni Mitchell. She’s recorded throughout Iceland, Denmark, Sweden, and the US – and this subsequent chapter guarantees much more deeply felt and delicately crafted songs.
Lucie Glang could have written “Underwater Skies” in a second of non-public overwhelm, however its impression is something however fleeting. It’s a music to return to when the world will get loud – a delicate house the place breath, physique, and being are sufficient. The place the one factor you have to do is let go.
Stream Lucie Glang’s “Underwater Skies” solely on Atwood Journal, and keep tuned for extra from her upcoming EP!
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