The intersection of digital dance music and up to date worship has discovered its boldest champion but. Rave Jesus’s debut album “I Met God on the Dancefloor,” releasing November 14, options transformative remixes of songs by Brandon Lake and Elevation Worship Rave Jesus Proclaims Debut Album ‘I Met God On The Dancefloor’ Dropping November 14 – TCB – Rave Jesus, taking a few of Christian music’s strongest anthems and reimagining them for a wholly new context—the dancefloor.
Among the many standout tracks on this groundbreaking mission are high-octane remixes of Brandon Lake’s “That is Who I Reward,” “Gratitude,” and the award-winning “Laborious Fought Hallelujah”—the latter produced in collaboration with digital music heavyweight QUIX. The album additionally includes a remix of “Reward,” the highly effective collaboration between Brandon Lake, Chris Brown, Chandler Moore, and Elevation Worship. These aren’t simply easy beat-swaps; they’re full reimaginings that preserve the religious depth of the originals whereas injecting them with festival-ready vitality.
The selection to remix “Laborious Fought Hallelujah” is especially important. The music not too long ago took house Tune of the 12 months honors on the 56th Annual GMA Dove Awards, recognizing songwriters Brandon Lake, Jelly Roll, Steven Furtick, Chris Brown, and Benjamin William Hastings. By bringing this celebrated worship anthem to the digital music world, Rave Jesus is introducing it to audiences who would possibly by no means step foot in a conventional church service however are looking for that means and transcendence on the dancefloor.
Behind the Rave Jesus mission is Topher Jones, also referred to as King Topher, who has made a reputation for himself in digital music with home tracks supported by business heavyweights like Diplo, Tiësto, John Summit, and Kaskade The Chosen Remixed for the Rave – CCM Journal. His credentials are spectacular—with expertise within the mainstream EDM world, he brings a stage of manufacturing high quality that matches something coming from secular dance labels. This is not newbie hour; these are professional-grade remixes that may stand alongside any observe you’d hear at a significant competition.
The collaboration with QUIX on “Laborious Fought Hallelujah” is a masterstroke. QUIX, identified for heavy-hitting bass music and entice productions, brings an aggressive, energetic type that completely enhances the triumphant nature of the unique music. It is a pairing that should not work on paper however creates one thing electrical in apply—a reminder that worship might be each reverent and completely explosive.
“Gratitude,” one in all Brandon Lake’s signature songs, will get new life on this context. The remix takes the music’s message of thankfulness and celebration and amplifies it by way of pulsing beats and hovering synths. In the meantime, “That is Who I Reward”—with its biblical references to dancing like David and having religion like Paul—feels nearly destined for the dancefloor remedy. The music’s authentic name to uninhibited worship interprets seamlessly to an digital context.
The “Reward” remix brings collectively the collaborative spirit of the unique—that includes Lake, Brown, Moore, and Elevation Worship—and channels it by way of Rave Jesus’s digital lens. It is a testomony to how worship music can evolve and adapt whereas sustaining its core message and goal.
In accordance with Rave Jesus, the center behind the motion is easy but radical: to create music that captures the center of the Lord and put it to bop music, releasing a brand new worship sound on the earth that invitations folks to come across God in sudden locations Rave Jesus Proclaims Debut Album ‘I Met God On The Dancefloor’ Dropping November 14 – TCB – Rave Jesus. This philosophy is absolutely realized throughout “I Met God on the Dancefloor,” the place each observe serves a twin goal—to get folks transferring and to create area for real religious encounters.
The mission represents greater than turning church right into a membership—it is about breaking open the partitions that say Christian music has to sound a method and attain just one sort of crowd, proving that reward can echo by way of audio system anyplace The Chosen Remixed for the Rave – CCM Journal. For many years, digital music has been related primarily with get together tradition, however Rave Jesus reclaims the style for one thing increased. The celebration, motion, and freedom discovered on the dancefloor might be expressions of religion simply as legitimate as any conventional worship service.
The album additionally options authentic songs with collaborators together with Grace Binion, SON., Thalia, and others, creating a various sonic panorama that strikes between acquainted remixes and recent materials. This steadiness ensures that “I Met God on the Dancefloor” works each as an introduction to the Rave Jesus sound and as an entire inventive assertion.
To help the album launch, Rave Jesus is embarking on the “I Met God on the Dancefloor” U.S. headline tour, following a number of sold-out exhibits in LA, Dallas, Vegas, and London Rave Jesus Proclaims Debut Album ‘I Met God On The Dancefloor’ Dropping November 14 – TCB – Rave Jesus. These reside experiences promise to be greater than live shows—they’re immersive worship environments the place lasers, bass drops, and biblical fact collide in the very best approach.
What Rave Jesus has completed with these Brandon Lake and Elevation Worship remixes is outstanding: they’ve created a bridge between two worlds that hardly ever intersect. In doing so, they don’t seem to be simply making music—they’re pioneering a motion that means worship has no boundaries, that encountering God can occur anyplace, and that typically probably the most sacred moments happen once we least count on them. Even on the dancefloor. Particularly on the dancefloor.
“I Met God on the Dancefloor” drops November 14 and is obtainable now for pre-save and pre-order.
