Saturday, August 2, 2025
HomeClassical MusicSamuel Mariño Provides To His Rising Legacy With Tafelmusik Live performance

Samuel Mariño Provides To His Rising Legacy With Tafelmusik Live performance


Male soprano Samuel Mariño performs with Toronto’s Tafelmusik Baroque Orchestra (Picture: Dahlia Katz)

Tafelmusik: Samuel Mariño on the Opera: Bologne & Mozart | Bologne: Overture from L’amant anonyme: Allegro presto; Concerto for violin, op. 3, no. 1: Adagio; Accomp & Aria “Enfin un foule importune” from L’amant anonyme, Act 2, sc 1; Mozart: Overture & Aria “Intendo amico rio” from Il re pastore; Marianne Martines: Overture in C Main: Andante ma non troppo; Mozart: Symphony 10 in G Main KV 74: Allegro; Accompagnato & Aria “Dove sono” from Le Nozze di Figaro; Salieri: Aria “Sento l’amico speme” from Semiramide; Salieri: Sinfonia from Armida; Gluck: Accompagnato “Berenice che fai” and Aria “Perché se tanti” from Antigono; Maria Antonia Walpurgis: Overture to Talestri; Gluck: “Che farè senza Euridice” from Orfeo ed Euridice; Walpurgis: Aria “Da me ti dividi” from Talestri, organized for cello & orchestra; Haydn: Accompagnato “Barbaro! E ardisci ancor” & Aria “Odio, furor” from Armida, Act 2. Could 23, 2025, Koerner Corridor. Repeated Could 24 & 25.

This previous weekend, Koerner Corridor resonated with the extremely lovely voice of Samuel Mariño, and Tafelmusik. A uncommon fowl, Mariño sings within the highest vary of the classical voice class.

Following up on his wildly profitable 2023 Toronto debut with Tafelmusik, Mariño’s cautious musical choices illustrated his uncommon voice, with lesser-known classical orchestral works interspersed in between, exposing the viewers to composers who many could by no means heard of: Joseph Bologne, Chevalier de Saint-George — a primary notable biracial musician of Western classical music — together with Marianne Martines and Maria Antonia Walpurgis, two uncommon feminine composers of the Classical interval.

Male soprano Samuel Mariño performs with Toronto's Tafelmusik Baroque Orchestra (Photo: Dahlia Katz)
Male soprano Samuel Mariño performs with Toronto’s Tafelmusik Baroque Orchestra (Picture: Dahlia Katz)

The Music

It’s simple to pigeonhole such a singular voice as a curiosity. Nevertheless, Mariño’s unbelievable dedication in cultivating his personal place within the inflexible, conventional classical music scene has given him the candy reward of freedom — he was really being himself, from the primary be aware, to the 2 encores he added to this system: Voi che sapete from the Marriage of Figaro, and Alleluia from Exsultate Jubilate, each by Mozart.

Mariño’s third alternative, Glucks’ accompagnato “Berenice che fai” and aria “Perché, se tanti siete,” was particularly beautiful. In comparison with the well-known recording of Cecilia Bartoli, whose voice is famous with energy, Mariño’s voice shouldn’t be a loud one; nonetheless, with intelligent diction, good coloratura, and loads of exterior bodily emotional gestures, the shortage of quantity was hardly noticeable.

Tafelmusik

Tafelmusik had a fairly a problem on this program; a lot of the music was new, and the technical brilliance of Mariño required full-focus and dedication from everybody, particularly for the difficult coloraturas and accompagnato recitatives the place your entire orchestra wanted to be in precise sync with the singer. Tafel’s love for Mariño felt real, if a bit tough in spots. Maybe this program might have benefitted from having a conductor for readability and synchronicity, and a bit delicate adjustment to the orchestral selections — because the enjoying misplaced a bit brilliance and consistency, noticeably within the later a part of this system .

An fascinating distinction to Mariño was the cello solo adaptation of ‘Da me ti dividi’ from Walpurgis’ opera, Talestry. Keiran Campbell, positioned within the centre of the ensemble, was great because the soloist, but the shortage of vowels, consonants, and specific human breath — so innate and pure to singers — introduced up the century-old query: might instrumental music be as expressive as vocal music? Does the absence of phrases give a wider alternative for the listener for emotional connection, or…? What occurs after we adapt from one to a different setting?

Male soprano Samuel Mariño performs with Toronto's Tafelmusik Baroque Orchestra (Photo: Dahlia Katz)
Male soprano Samuel Mariño performs with Toronto’s Tafelmusik Baroque Orchestra (Picture: Dahlia Katz)

Encores

The 2 encores had been an amazing success, bringing the viewers to their ft every time. Voi che sapete, a beloved aria for Cherubino from Le Nozzi, is a notoriously tough pants position. As a ‘boy,’ Cherubino, often a mezzo, sings within the prime vary of the voice, and negotiating the registral distinction could be tough, particularly for the softer dynamics. This has develop into a signature track for him, wildly fashionable from Mariño’s Decca recording ‘Sopranista’: Mariño is uniquely well-set for this aria, as his voice, which didn’t drop throughout puberty, continues to exist in that magical boyhood state.

The benefit and charm of Mariño’s Alleluia was additionally fairly poignant — on this world the place gender expressions convey division and violence, how might anybody fault such magnificence, and for what legitimate causes? If we’re to imagine in God, shouldn’t we additionally imagine that God’s creations embrace everybody, particularly after we are introduced with such magnificence, generously shared with no limitations? Mariño mentioned that ‘…(he) merely needs to convey pleasure to others’ — and it is a true present that he did convey to us.

Past his good singing, Mariño confirmed his complete self as an artist; the arrogance and pleasure of his freedom, to sing, and to be who he needs to be, away from the social conventions and expectations, is gorgeous to witness. From the alternatives of live performance apparel — his love for classic jewellery is well-known: the ‘grandma brooch’ on the cream-lilac go well with he wore for the second half particularly suited him — to the simple method that he connects together with his viewers, this intimate night was an amazing success, making it tough to think about why, or how, anybody might be towards such joyful human expression.

With nice pleasure, I await his return to Toronto already. At age 31, Mariño is simply reaching his full potential, and his exuberance and sense of freedom is infectious. An awesome legacy is being made right here.

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