Sonologyst: Planetarium – Album Evaluate & Interview

Even when they don’t explicitly embark on such a voyage nor predetermine the album at hand as being an album about…effectively house, the metaphor for the internally twisted mechanisms of humankind to excel their wildest goals, the extra menacing metaphor that the cosmos is able to crushing us to mud like a bug beneath the forefinger of a teenage big turns into ever extra poignant.

The identical cosmos that, again right here, at house, surrounded by bricks and mortar, a landmass of concrete fields and glass mountains of post-industrial waste,  can open it’s jaws and devour the minds of many, leaving them an obsessed relic of a creature curled up in a ball on their bed room flooring, semi-naked, eyes frozen into marble, a string of saliva reaching from the nook of the mouth to the centre of the carpet – the finality of man-machine who dared to breach the occasion horizon of its unknown pleasures. The cosmos is right here.

Life on different planets? Not fairly. Too tacky. One flawed flip in a subject as vastly unimaginable because the universe, and the chilling depth, the supposed influence of the idea is diminished to a child mobile-sized planetarium hovering above the planet, a jaded novelty, a metaphor for nothing besides an embarrassing scrapbook of corny paraphernalia.

Good job then, that on Planetarium, the brand new album from aural explorer launched by way of Chilly Spring and the subsequent in a line of works that got down to ”convert cosmic phenomena into immersive auditory experiences,” the novelty is way from grasp. The cosmos speaks. It’s bilingual. It communicates in myriad methods.

The album consists of uncooked knowledge information from radio waves, electromagnetic fields and plasma fluctuations captured on recordings from NASA, European House Company, and the previous Soviet Union’s house program. These non-audible indicators are what create the ”sounds” on the file and accomplish that via a course of generally known as knowledge sonification. This system, together with others reminiscent of amplitude modulation and sampling, allows the information to be transformed into audio frequencies we mere people can hear, as many indicators reminiscent of photo voltaic winds, planetary magnetospheres or charged particles, are far past what our ear can detect. As soon as transformed, the sounds are sometimes enhanced by amplifying particular frequencies or introducing layers and make the info extra multi-dimensional, a approach to increase the sensory attract of the album, with just about no inch of the past, not less than so far as these 13 items go, left unchecked.

Sonologyst, understanding the cosmos itself because the songbook with quite a lot of mysterious musical items that carry on giving, visualising these information as possessing the identical intrigue as an instrument, not a lot deserted, forgotten, nor forsaken even, however simply in want of being tuned again into life and tempted into view, crafts the collation into form, extracting nuances within the information and enhancing them into recurrently breathtaking outcomes. ”Extra broadly,” he states, ”I’d say most of my works observe a sort of documentary technique the place sound turns into a medium for exploring particular phenomena, whether or not scientific, historic, or metaphysical.”

Born in Naples, Italy, on Could eighth, 1971, Raffaele Pezzella first forayed into the topic issues explored as Sonologyst when he was a younger boy drawn to all issues metaphysical, paranormal and scientific. Impressed by ”personal rituals” by watching late 70s/early 80s sci-fi and horror movies such because the Italian spy/sci-fi film Octhechi dalle Stelle (Eyes From the Stars, 1978), the lineage from the boy peeking out from behind a protecting cabin of blankets, to the Sonologyst earlier than us at present, may be traced to those formative experiences. ”Earlier than turning into sonic materials,” he says, ”these concepts had been a part of my private panorama of exploration, formed by books, theories, and the mysteries that linger on the sides of information, an unexplored nook of notion. I’m pushed by the urge to analyze, via sound, these issues which can be hidden, marginal, or past bizarre human expertise.”

After finding out arithmetic and physics on the College of Naples, Pezzella graduated as a sound technician in 1999. He started experimenting with digital media in 2000, leading to a four-track album, his debut, Memorie Elettroniche Sonore, launched on PeopleSound, a label sponsored by neurophonic system producer, TDK. After finding out guitar and growing his technical abilities in digital music, he returned to music manufacturing, bringing to life many concepts he had explored in earlier years. One among which is that this.

Blue Neptune blooms a vaporous broadcast of uncanny, ambient reverie. A distorted drill digging for a sought-after ore beneath the dense floor of a planet frozen in waves of white. A fragmented glitch- ballet of melodic motifs ultimately survives the spectrum earlier than being smouldered utterly, they twinkle and themselves on an historical stringed instrument solid out of crystal and stone, plunged into the underside of the deepest abyss.
AANext up, Extremely Low Black Gap Frequencies wants no description. It merely seems. An isolationist ambient mist descends throughout a panorama of choke-smoked valleys. Such unsettling, doom-laden suits of ash-ingesting energy are solely intensified of their ominous nature by textural washes of noise and fluorescent voices gently flickering via it.
Heavy, presumably heavier, S-1981 S 13 Pan-Saturn’s Moon is a splintered surge of mangled bass grunt. The disembowelling growl ultimately dissipates to a nightmarish surgical theatre of caustic jazz chords, stacks of substrate scraping towards layers of plague-ridden dissonance.

After 2015’s Silencers, a file ”impressed by the testimonies of those that have had contact with the so-called ‘Silencers’ or ‘Males in Black’, Historic Demise Cults And Beliefs from 2020, and Interdimensional from 2022, a file serious about exploring the ”paraphysical dimension of cosmic music”, Planetarium is the subsequent launch in a sequence of Chilly Spring albums after that preliminary trilogy established Sonologyst as an artist within the publicity of the fantastical intersections the place one kind of science ends and one other begins, these boundaries not simply between, however past the attain of science start to blur, an area the place details and rationale are scorched on the edges, the pages partially lacking, textual content redacted, the inky phrases fading into some irritating obscurity the place no quantity of squinting can extract any important, wondrous cipher.

And though we will respect the scientific consistency between every a kind of information, they should be understood as particular person investigations about uniquely particular person topics. Sonic documentaries, with sound as an alternative of movie, the place every file displays an aural quench of compulsive curiosity, a meticulously assembled striving to not merely present solutions to age-old questions (aliens, conspiracies, ritualistic cannibalism, hyperspace, the cosmos), however somewhat to enhance the argument by what has been found and imbue us with the fun to satiate extra sophisticated questions as a matter of existential urgency. In relation to the work of Sonologyst, regardless of the science, it’s that which glues all these theories collectively via myriad extremes and levels, it’s that which is constant. The cosmos metaphorically mirrors our personal inside demons, scavengers and savants crouched atop this charred smash.

”For me,” Pezzella states, ”every launch stands by itself, sparked by totally different sources of inspiration that evolve over time, somewhat than following a strict conceptual development. I’ve by no means consciously deliberate my albums as trilogies or tetralogies, despite the fact that some listeners have interpreted them that approach. That stated, Planetarium and Shortwave Spectrumdo share a selected kinship. Shortwave Spectrum, additionally launched in 2023 on Chilly Spring Data, was primarily based on shortwave radio transmissions and Chilly Conflict-era sign phenomena. Planetarium, alternatively, attracts from the uncooked sonification of radio waves. These two albums may be seen as a sort of diptych, as each are constructed round actual archival recordings and scientific supply materials.
AA”In distinction, Silencers, Historic Demise Cults and Beliefs, and Interdimensional aren’t grounded in precise archives. They discover their themes, secret applied sciences, esoteric perception programs, and hypothetical dimensions, via a extra imaginative and interpretative sound design strategy.”

For example of what Pezzella phrases ”sonic phenomenology,” a way that goals to not merely to characterize one thing, however somewhat, to interrogate it, Planetarium is a fierce, usually ominous and looming journey. A grinding manifestation of musique concrète and pitch black ambient instrumental hexes that devastate something of their path, the extra their newly found selves are sonically revealed. We repeatedly really feel adrift, dwarfed, touched, torn aside, misplaced, and located within the maelstrom of the incomprehensible past. We’re mercilessly engulfed by its brooding waves.

This past the past takes us to Venera 4V-1 No.310 the place we’re sucked into and swept up by the mountain-shattering photo voltaic winds with the stubbornness of a bulldozer crashing via partitions of breezeblocks. It unleashes an unholy noise replicating the compressed rush of sound absorbed when travelling on the Northern line on the London Underground. We hear a chant however can’t make sure why or what with any sort of readability, these demons communicate of after they peek at us from between dangling items of chain.
This past the past plunges into the plutonium tidal wave of Plutonian Transmissions, the place we kneel earlier than the foot of an amplified surge of deathly bass noise, secreting ambient excrement in its chamber of psychic solitude. Just like the sands of time spilling from world-weary clocks. It’s an indomitable mass of plasma wave bursts in a post-industrial netherworld. We’re thrown into the same state of bass-leaden energy with Kuiper Belt. A star-sucking dub mutation stolen from the Bug’s Killing Sound album.

From the expansive churn of Jupiter’s Moons to the agitated clicks and ethereal, interior metropolis chorale of Microphones on Mars, the album exhales and wheezes a rhythmic noise that’s onerous to flee like Thomas Köner collaborating with KK Null. The previous cracks and creaks forwards while a serenade of trains rattle within the distance, hallucinatory silhouettes of every carriage create a sense, regardless of the extreme chilly, of acquainted heat, like being within the womb once more, muffled conversations within the exterior world, interrupts peace on the opposite. The latter gives a extra plaintive vibration not not like specks of mud floating in entrance of the tv or a ray of sunshine kissing one’s neck, the album exhales and wheezes a rhythmic noise that’s onerous to flee. A cybernetic metropolis of sunshine and noise, of practice station ready rooms, automotive park lifts with nobody in them, or wandering satellites buzzing to themselves, lonesomely spinning above every little thing and everybody.

There’s loads to soak up. Lots to really feel. Lots to consider. However with out Pezzella’s conceptual analysis, to gathering the supply materials, shaping the sounds, and arranging the construction of the album, with out his preliminary intrigue in what’s on the market, lurking behind the screens of the sky, or buried centuries belowground, as secrets and techniques hid from up to date life, there’d be nothing. Simply the sign. The waves. Nothing for us anyway. Time doesn’t care if we’re round or to not take observe. House doesn’t care if we’re round to prod its terribly huge vacancy. Time and house passing us by, mere bugs peddling towards the spokes of a drained, outdated wheel, making an attempt to make ourselves really feel higher about with the ability to flip it yet another rotation.
AA”I normally deal with every little thing myself. It’s a solo course of, and that’s one thing I’ve come to worth deeply. It permits me to totally immerse myself within the subject and to develop a really private reference to the sounds and the tales I attempt to inform via them,” he states. ”In 2024, I collaborated with different musicians for 2 albums, and in these circumstances, the music tended to shift towards extra summary experimental electronics, usually with no clearly outlined conceptual theme. That sort of collaboration may be thrilling and enriching in its personal approach. However after I’m coping with topics like science, thriller, or metaphysics, I discover that solo work offers me the main focus and house I would like. It turns into a extra meditative and concentrated course of, which I really feel is important for the sort of sonic storytelling I intention for.”

Though what we hear on Planetarium are non-audible indicators collected by NASA transformed into sound, you’d be gravely mistaken for those who thought what we hear on Planetarium is just that and nothing extra – a knowledge dump. Like an aural montage spliced collectively in the identical sequence, the duty at hand to make sense of those arbitrary tangents of noise and chaos requires a far higher funding from the artist, important in his capability to work with and weave collectively a panorama of sound, with out which, every little thing would float into an intangible dissolve of nothingness just like the particles and detritus of an opium-addled thoughts.
AA”I merely got down to create my very own private model of a sonic encyclopaedia of science and thriller. The sonification’s are simply the uncooked materials,” states Pezzella. ”What I attempt to do, as finest as I can, is construct a narrative round them. I form and manipulate the information, add loops, play synthesisers, and produce every little thing along with a combination that, hopefully, carries what might be recognised as a ‘Sonologyst signature.’ It’s an try and let individuals uncover house by listening to its hidden voice. Whether or not or not I succeed, I hope the end result sparks curiosity and creativeness.”

Since 2014, Pezzella has been serving because the curator of Unexplained Sounds, a ‘International Community of Aural Disorientation’ serious about ”mapping and selling the worldwide underground scene of experimental music.” It’s liable for albums impressed by the works of extremely revered figures reminiscent of Phillip Okay. Dick’s dystopias, William Burrough’s cut-up texts, William Gibson’s neuromancer inhabited universe and lately, the cult movie Eraserhead by David Lynch, a venture which started months earlier than the passing of the director. The community’s main label, Unexplained Sounds Group, was established in 2015 and 2021, with Eighth Tower label increasing into e book publications and an internet journal, Eighth Tower.

Presently, the community encompasses subsidiaries reminiscent of Eighth Tower Data, ZeroK, and Reverse Alignment. He additionally hosts a streaming radio program titled The Recognition Take a look at. By way of these channels, Pezzella’s intention ”to supply the listener an immersive journey via the photo voltaic system, not via photographs or knowledge, however via sound” amongst different formidable works that introduce audiences with sufficient of an creativeness to depart their incredulous inhibitions behind, may be globally realised.
AA”One among its most distinctive initiatives is the Sound Mapping sequence, a long-running assortment of compilations that discover experimental, digital, and avant-garde music from all around the world,” Pezzella explains. ”The thought behind Sound Mapping is each curatorial and a bit anthropological. Every quantity focuses on a selected nation or area, from Iran to China, from South Africa to Lebanon, and showcases artists who usually work removed from the highlight however are doing actually authentic and thrilling issues. It’s about giving house to voices outdoors the mainstream and constructing a sort of sonic map of world experimental sound. There’s wonderful stuff occurring in all places, you simply should be curious sufficient to go discover it and, most significantly, pay attention.”

Our time right here. Our small complaints. Our boring woes. Our benign, eternally rehearsed strains filmed with out discover. After all, exceptions abound if the comfortable spot of the wall to press your ear towards. Psychic TV taught us that. Sonologists train us that, too. Scientists within the issues we will’t see or hear however can join us to the identical energy of feeling as having our heads held in place by frames of vicious gentle and fields of turbulent noise. Arrestingly psychedelic. Oddly comforting. House is the place. Music as astra.

At this time, NASA shares that their Voyager 1 probe, launched in 1977 and at present greater than 14.9 billion miles away from earth, reached the heliopause: a boundary the place the photo voltaic winds of the solar begin to fade of their magnetic energy and the photo voltaic winds of interstellar house are in steadiness. At this point- it found a “wall of fireside”. A sparse wall, however nonetheless…a wall.

Life on different planets? Not fairly. And when feeling alone has by no means sounded so…rewarding, who the hell cares!

A Plea From Louder Than Conflict

Louder Than Conflict is run by a small however devoted impartial workforce, and we depend on the small sum of money we generate to maintain the location operating easily. Any cash we do get isn’t lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to suppose and write, or hungry shareholders. We all know occasions are powerful, and we need to proceed bringing you information on essentially the most attention-grabbing releases, the newest gigs and the rest that tickles our fancy. We’re not pushed by revenue, simply pure enthusiasm for a scene that every one in every of us is captivated with.

To us, music and tradition are eveything, with out them, our very souls shrivel and die. We don’t cost artists for the publicity we give them and to many, what we do is totally important. Subscribing to one in every of our paid tiers takes only a minute, and every sign-up makes a huge effect, serving to to maintain the flame of impartial music burning! Please click on the button beneath to assist.

John Robb – Editor in Chief

PLEASE SUBSCRIBE TO LTW