Up to now, TWS have caught with a signature sound for his or her title tracks and utilized follow-up promotions to showcase a wider spectrum of kinds. I like this method, particularly since everyone knows their specific model of “boyhood pop” gained’t stay the identical endlessly. Their debut Japanese single additional teases on the Plot Twist template, providing a extra sentimental take well-suited to the J-pop market. Actually, greater than the rest the track drives dwelling simply how “J-pop” their core sound is.
Stacked in opposition to the insanely robust trilogy of Plot Twist, If I’m S and Countdown, Hajimemashite feels fairly slight. It’s one other sub-3 minute track, however the operating time isn’t the perpetrator right here. Inside this small body, they handle to incorporate a bridge, making the monitor really feel more-or-less full. As a substitute, this can be a case of lowered ambition. Fairly than sure ahead with unbridled power and pleasure, Hajimemashite winds up and slows down, culminating in a reasonably — however comparatively reserved — refrain. Bombast is relegated to the pre-choruses and bridge, which stand out due to their dynamic execution. They’re giving us the type of sugary candy melodies that Okay-pop’s lady teams used to ship on a constant foundation.
With this stated, I foresee Hajimemashite having fun with a protracted life on my playlist. Its reliance on robust melodies and buoyant, carefree vibes makes it a pleasure to hearken to even when it’s not as dramatic and hard-hitting as among the group’s title tracks. I really feel like a sonic transformation is simply across the nook for TWS, however it is smart to determine their signature allure in Japan earlier than diving a bit deeper.
| Hooks | 8 |
| Manufacturing | 8 |
| Longevity | 9 |
| Bias | 9 |
| RATING | 8.5 |
Grade: B
